Charya: the tantric musical tradition of the Kathmandu Valley

Performance


Nicoletti, Martino 2013. Charya: the tantric musical tradition of the Kathmandu Valley.
CreatorsNicoletti, Martino
Description

This musical CD presents a wide overview of Charya, one of the lesser known sacred musical traditions of the Kathmandu valley. Rooted in esoteric Tantric Buddhist tradition (vajrayana), widespread among the Newar of Nepal, Charya songs represent an integral part of the Charya nrtya sacred dances, traditionally handed down and performed in Vajracarya Tantric spiritual lineages. Traditionally performed by initiated dancers in a highly secret context, these dances represent an authentic form of dynamic meditation (sadhana). Founded on the practice of specific mental visualisations and on a deep identification of the dancer with the specific meditation deity (yidam) evoked during the dance, Charya nrtya’s main aim is to achieve higher states of consciousness and a direct realisation of the ultimate, non-dual and empty nature of phenomena. In this sense, the peaceful and wrathful deities evoked and “danced” during the performance – belonging to both Buddhist and Hindu traditional pantheons – represent the direct personified expression of the ceaseless creative energy inherent in the Emptiness itself (sunyata). In this context, thanks to the magic power of the chant, the music and the dance, each performance is thus transformed into a veritable yogic practice aimed at propitiating the tangible manifestation of the most profound divine powers that inhabit and vivify the universe, as well as providing the dancer with a rare opportunity of realising directly the enlightened condition of his/her own mind. Kept secret until a few decades ago, only recently have Charya songs and the Charya nrtya dance tradition been made accessible to a non-initiated audience, including westerners. The CD, recorded in Kathmandu under the supervision of Dr. Martino Nicoletti, has been created thanks to the collaboration of Rameshwor Maharjan, an internationally renowned Newari Charya dancer and musician. Track 1: Sri Padma Nrtyasvara Vandana: hymn to the Lord of the Dance Track 2: Sodasa Lasya: the dance of the Sixteen Offering Goddesses to the main deity of the mandala Track 3: Arya Tara: the dance of the Green Tara Track 4: Vajrayogini: the dance of Vajravarahi, “The Diamond Sow” Track 5: Manjusri: the dance of the Bodhisattva Manjusri Track 6: Panca Buddha: the dance of the Five Buddhas Track 7: Kumari: the dance of the virgin goddess Kumari Track 8: Rakta Ganesh: the dance of the Red Ganesh Track 9: Sri Bhairav Kali: the dance of Bhairav and Kali Scientific researches, recording organisation and supervision: Martino Nicoletti; Sound engineering and post-production: Roberto Passuti; Label: Stenopeica – A Buzz Supreme.

This musical CD presents a wide overview of Charya, one of the lesser known sacred musical traditions of the Kathmandu valley.
Rooted in esoteric Tantric Buddhist tradition (vajrayana), widespread among the Newar of Nepal, Charya songs represent an integral part of the Charya nrtya sacred dances, traditionally handed down and performed in Vajracarya Tantric spiritual lineages.
Traditionally performed by initiated dancers in a highly secret context, these dances represent an authentic form of dynamic meditation (sadhana). Founded on the practice of specific mental visualisations and on a deep identification of the dancer with the specific meditation deity (yidam) evoked during the dance, Charya nrtya’s main aim is to achieve higher states of consciousness and a direct realisation of the ultimate, non-dual and empty nature of phenomena.
In this sense, the peaceful and wrathful deities evoked and “danced” during the performance – belonging to both Buddhist and Hindu traditional pantheons – represent the direct personified expression of the ceaseless creative energy inherent in the Emptiness itself (sunyata).
In this context, thanks to the magic power of the chant, the music and the dance, each performance is thus transformed into a veritable yogic practice aimed at propitiating the tangible manifestation of the most profound divine powers that inhabit and vivify the universe, as well as providing the dancer with a rare opportunity of realising directly the enlightened condition of his/her own mind.
Kept secret until a few decades ago, only recently have Charya songs and the Charya nrtya dance tradition been made accessible to a non-initiated audience, including westerners.
The CD, recorded in Kathmandu under the supervision of Dr. Martino Nicoletti, has been created thanks to the collaboration of Rameshwor Maharjan, an internationally renowned Newari Charya dancer and musician.

Track 1: Sri Padma Nrtyasvara Vandana: hymn to the Lord of the Dance
Track 2: Sodasa Lasya: the dance of the Sixteen Offering Goddesses to the main deity of the mandala
Track 3: Arya Tara: the dance of the Green Tara
Track 4: Vajrayogini: the dance of Vajravarahi, “The Diamond Sow”
Track 5: Manjusri: the dance of the Bodhisattva Manjusri
Track 6: Panca Buddha: the dance of the Five Buddhas
Track 7: Kumari: the dance of the virgin goddess Kumari
Track 8: Rakta Ganesh: the dance of the Red Ganesh
Track 9: Sri Bhairav Kali: the dance of Bhairav and Kali

Scientific researches, recording organisation and supervision: Martino Nicoletti;
Sound engineering and post-production: Roberto Passuti;
Label: Stenopeica – A Buzz Supreme.

ContributorsUniversity of Derby, School of Art and Design
KeywordsCharya music; Charya dance; Nepal; Kathmandu; Newar; Ethnomusicology
Date2013
Web address (URL)http://hdl.handle.net/10545/292864
hdl:10545/292864
Publication process dates
Deposited28 May 2013, 09:01
Publication dates2013
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https://repository.derby.ac.uk/item/94v56/charya-the-tantric-musical-tradition-of-the-kathmandu-valley

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