'Walking into the world of the western': David Michod's The Rover as Australian Post-Western.
Examines David Michod's Australian film The Rover as a post-western, showing how it both uses and re-interprets the tropes of the western for a new age. In particular, it explores the global themes of the film and its transnational concerns with ecology, power and identity.
|Keywords||post-western; The Rover; film; Australia|
|Publisher||Wroclaw University, Poland|
|Web address (URL)||http://hdl.handle.net/10545/623399|
|Publication process dates|
|Deposited||28 Jan 2019, 17:22|
|Contributors||University of Derby|
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