Institutional patronage of central and Eastern European émigré sculptors in Britain, c1945-65: moderate modernism for the social-democratic consensus.
Journal article
Burstow, Robert 2018. Institutional patronage of central and Eastern European émigré sculptors in Britain, c1945-65: moderate modernism for the social-democratic consensus. British Art Journal..
| Authors | Burstow, Robert |
|---|---|
| Keywords | Sculpture; emigre; 1945-1965; central and Eastern European; social democratic; consensus; patronage; institutional patronage |
| Year | 2018 |
| Journal | British Art Journal. |
| Publisher | British Art Journal. |
| ISSN | 14672006 |
| Web address (URL) | http://hdl.handle.net/10545/623463 |
| hdl:10545/623463 | |
| Publication dates | 22 Dec 2018 |
| Publication process dates | |
| Deposited | 31 Jan 2019, 10:01 |
| Accepted | 02 Aug 2018 |
| Contributors | University of Derby |
| File | File Access Level Open |
| File |
Permalink -
https://repository.derby.ac.uk/item/93579/institutional-patronage-of-central-and-eastern-european-migr-sculptors-in-britain-c1945-65-moderate-modernism-for-the-social-democratic-consensus
Download files
29
total views19
total downloads0
views this month2
downloads this month
Export as
Related outputs
‘Peter László Péri in Britain, 1933-1967: reforming “Socialist Realism” for Western Europe’
Burstow, R. 2023. ‘Peter László Péri in Britain, 1933-1967: reforming “Socialist Realism” for Western Europe’. in: Hartog, A., Schöne, D. and Wiegartz, V. (ed.) Péri’s People: Peter László Péri (1899-1967) Bremen Kunsthaus Dahlem & Gerhard Marcks Haus . pp. 119-26Review of 'Der unbekannte politische Gefangene: Ein internationaler Skulpturenwettbewerb zu Zeiten des Kalten Krieges' ('The Unknown Political Prisoner: An International Sculpture Competition in the Cold War Era'), Kunsthaus Dahlem, Berlin, 2020–2021, and exhibition catalogue edited by Petra Gördüren and Dorothea Schöne, Wasmuth and Zohlen Verlag, Berlin, 2020
Burstow, R. 2022. Review of 'Der unbekannte politische Gefangene: Ein internationaler Skulpturenwettbewerb zu Zeiten des Kalten Krieges' ('The Unknown Political Prisoner: An International Sculpture Competition in the Cold War Era'), Kunsthaus Dahlem, Berlin, 2020–2021, and exhibition catalogue edited by Petra Gördüren and Dorothea Schöne, Wasmuth and Zohlen Verlag, Berlin, 2020. The Sculpture Journal. 31 (2), pp. 269-73. https://doi.org/10.3828/sj.2022.31.2.08
Geometries of hope and fear: the iconography of atomic science and nuclear anxiety in the modern sculpture of World War and Cold War Britain
Burstow, Robert 2014. Geometries of hope and fear: the iconography of atomic science and nuclear anxiety in the modern sculpture of World War and Cold War Britain. in: Routledge.‘Sculpture in the Home': selling modernism to post-war British homemakers’
Burstow, Robert 2008. ‘Sculpture in the Home': selling modernism to post-war British homemakers’. The Sculpture Journal.The 'Sculpture in the Home' exhibitions: reconstructing the home and family in post-war Britain
Burstow, Robert 2008. The 'Sculpture in the Home' exhibitions: reconstructing the home and family in post-war Britain. The Henry Moore Institute, Leeds.Chesterfield Art Trail
Burstow, Robert 2013. Chesterfield Art Trail. Chesterfield Borough Council.‘Domestic sculpture’
Burstow, Robert 2008. ‘Domestic sculpture’. Apollo.‘The competition for a monument to the Unknown political prisoner’
Burstow, Robert 2008. ‘The competition for a monument to the Unknown political prisoner’. in: Tate Publishing in association with Yale Center for British Art.Ronald Pope: modern sculpture in the public eye
Burstow, Robert 2008. Ronald Pope: modern sculpture in the public eye. University of Derby (The Open Studio).