Who Are We, Where Do We Come From, Where Are We Going To? Greek Cypriot Women Artists in Contemporary Cyprus

Journal article


Photiou, Maria 2012. Who Are We, Where Do We Come From, Where Are We Going To? Greek Cypriot Women Artists in Contemporary Cyprus. Women's Studies: An Interdisciplinary Journal. 41 (8), pp. 941-958. https://doi.org/10.1080/00497878.2012.718691
AuthorsPhotiou, Maria
Abstract

This article is about Greek Cypriot women artists. In particular it concerns their art, their careers, and their relation to politics; the way they were influenced by politics in Cyprus and how they represented the political upheavals of the time in their own practice. Although all these artists experienced the several phases of Cypriot history in a different way, they all have something in common: the fact that these artists were women living in a colonised, patriarchal country under Greek Cypriot nationality. Their practices are the result of what they experienced and an analysis of their work will reveal the artistic strategies they applied as a response to the politics in Cypriot society.

Keywordsvisual culture; women artists; Cypriot art; Cyprus; feminist art; National identity
Year2012
JournalWomen's Studies: An Interdisciplinary Journal
Journal citation41 (8), pp. 941-958
PublisherTaylor & Francis Publishers
ISSN0049-7878
1547-7045
Digital Object Identifier (DOI)https://doi.org/10.1080/00497878.2012.718691
Web address (URL)https://www.tandfonline.com/doi/full/10.1080/00497878.2012.718691
http://hdl.handle.net/10545/619140
hdl:10545/619140
Output statusPublished
Publication dates
Online05 Nov 2012
Publication process dates
Deposited31 Aug 2016
ContributorsLoughborough University
File
File Access Level
Open
File
File Access Level
Open
Permalink -

https://repository.derby.ac.uk/item/936qq/who-are-we-where-do-we-come-from-where-are-we-going-to-greek-cypriot-women-artists-in-contemporary-cyprus

Download files

  • 37
    total views
  • 17
    total downloads
  • 1
    views this month
  • 1
    downloads this month

Export as

Related outputs

Sailing to my Nearest Neighbours for Lockdown Cocktails: Reflections on The Politics of Home and Homemaking During a Pandemic
Photiou, M. 2024. Sailing to my Nearest Neighbours for Lockdown Cocktails: Reflections on The Politics of Home and Homemaking During a Pandemic. in: Racz, I. and Journeaux, J. (ed.) The Artist at Home: Studios, Practices and Identities London Bloomsbury Publishing. pp. 175-193
Re-claiming the Lost Home: The Politics of Nostalgia and Belonging in Women’s Art Practices in the Middle East
Photiou, M. 2023. Re-claiming the Lost Home: The Politics of Nostalgia and Belonging in Women’s Art Practices in the Middle East. Image & Text. 37, pp. 1-24. https://doi.org/10.17159/2617-3255/2023/n37a17
Re-claiming the Lost Home: The Politics of Nostalgia and Belonging in Women’s Art Practices in the Middle East
Photiou, M. 2022. Re-claiming the Lost Home: The Politics of Nostalgia and Belonging in Women’s Art Practices in the Middle East. Hitting Home: Representations of the Domestic Milieu in Feminist Art.
Who are we, Where do we come from, Where are we going to? Writing Greek Cypriot Women's Art Histories in Contemporary Cyprus
Photiou, Maria 2021. Who are we, Where do we come from, Where are we going to? Writing Greek Cypriot Women's Art Histories in Contemporary Cyprus. in: Bloomsbury.
Weaving together: narratives of home, exile and belonging
Photiou, Maria 2021. Weaving together: narratives of home, exile and belonging. in: Bloomsbury.
National identity and the politics of belonging in Greek Cypriot visual culture
Photiou, Maria 2021. National identity and the politics of belonging in Greek Cypriot visual culture. in: Springer.
Gendered Narratives in Adamantios Diamantis’ The World of Cyprus
Photiou, M. 2020. Gendered Narratives in Adamantios Diamantis’ The World of Cyprus. Cyprus Review. 32 (1).
Let’s talk about peace over dinner: A cultural experience on memory, dislocation and the politics of belonging in Cyprus
Photiou, Maria 2017. Let’s talk about peace over dinner: A cultural experience on memory, dislocation and the politics of belonging in Cyprus. Crossings: Journal of Migration & Culture. 8 (2), pp. 175-189. https://doi.org/10.1386/cjmc.8.2.175_1
Be/come closer to home: Narratives of contested lands in the visual practices of Katerina Attalidou and Alexandra Handal
Photiou, Maria 2016. Be/come closer to home: Narratives of contested lands in the visual practices of Katerina Attalidou and Alexandra Handal. Third Text. 4-5, pp. 340-355. https://doi.org/10.1080/09528822.2016.1169638
The Green Line: Greek Cypriot Women Artists’ Politicised Practices, Lia Lapithi and Marianna Christofides
Photiou, M. 2012. The Green Line: Greek Cypriot Women Artists’ Politicised Practices, Lia Lapithi and Marianna Christofides. n.paradoxa: international feminist art journal. 30, pp. 83-90.
Nomadic Narratives, Visual Forces: Gwen John’s Letters and Paintings (review)
Maria Photiou 2011. Nomadic Narratives, Visual Forces: Gwen John’s Letters and Paintings (review). Biography. 34 (2), pp. 364-366. https://doi.org/10.1353/bio.2011.0018