Gendered Narratives in Adamantios Diamantis’ The World of Cyprus

Journal article


Photiou, M. 2020. Gendered Narratives in Adamantios Diamantis’ The World of Cyprus. Cyprus Review. 32 (1).
AuthorsPhotiou, M.
Abstract

In this paper, I examine Adamantios Diamantis’ painting The World of Cyprus as a representation of a male-dominated society where women are marginalised. Through the analysis of the artwork, I will consider how the work presents a traditional ‘world of Cyprus’ that was beginning to disappear during the post-1960s. I will refer to Diamantis’ work as an example to explore gender relations and socio-political conditions in patriarchal Cyprus. I will argue that socio-political conditions in Cyprus left little space for women to contest patriarchy, to fight for gender equality, or to gain public visibility.

Keywordspatriarchy; gendered narratives; women's representation
Year2020
JournalCyprus Review
Journal citation32 (1)
PublisherUniversity of Nicosia
ISSN2547-8974
Web address (URL)http://cyprusreview.org/index.php/cr/article/view/733
Output statusPublished
Publication dates16 Dec 2020
Publication process dates
Deposited16 Dec 2020
Accepted01 Sep 2020
ContributorsUniversity of Derby
File
File Access Level
Open
File
File Access Level
Open
Permalink -

https://repository.derby.ac.uk/item/92v0q/gendered-narratives-in-adamantios-diamantis-the-world-of-cyprus

Download files

  • 44
    total views
  • 10
    total downloads
  • 0
    views this month
  • 0
    downloads this month

Export as

Related outputs

Sailing to my Nearest Neighbours for Lockdown Cocktails: Reflections on The Politics of Home and Homemaking During a Pandemic
Photiou, M. 2024. Sailing to my Nearest Neighbours for Lockdown Cocktails: Reflections on The Politics of Home and Homemaking During a Pandemic. in: Racz, I. and Journeaux, J. (ed.) The Artist at Home: Studios, Practices and Identities London Bloomsbury Publishing. pp. 175-193
Re-claiming the Lost Home: The Politics of Nostalgia and Belonging in Women’s Art Practices in the Middle East
Photiou, M. 2023. Re-claiming the Lost Home: The Politics of Nostalgia and Belonging in Women’s Art Practices in the Middle East. Image & Text. 37, pp. 1-24. https://doi.org/10.17159/2617-3255/2023/n37a17
Re-claiming the Lost Home: The Politics of Nostalgia and Belonging in Women’s Art Practices in the Middle East
Photiou, M. 2022. Re-claiming the Lost Home: The Politics of Nostalgia and Belonging in Women’s Art Practices in the Middle East. Hitting Home: Representations of the Domestic Milieu in Feminist Art.
Who are we, Where do we come from, Where are we going to? Writing Greek Cypriot Women's Art Histories in Contemporary Cyprus
Photiou, Maria 2021. Who are we, Where do we come from, Where are we going to? Writing Greek Cypriot Women's Art Histories in Contemporary Cyprus. in: Bloomsbury.
Weaving together: narratives of home, exile and belonging
Photiou, Maria 2021. Weaving together: narratives of home, exile and belonging. in: Bloomsbury.
National identity and the politics of belonging in Greek Cypriot visual culture
Photiou, Maria 2021. National identity and the politics of belonging in Greek Cypriot visual culture. in: Springer.
Let’s talk about peace over dinner: A cultural experience on memory, dislocation and the politics of belonging in Cyprus
Photiou, Maria 2017. Let’s talk about peace over dinner: A cultural experience on memory, dislocation and the politics of belonging in Cyprus. Crossings: Journal of Migration & Culture. 8 (2), pp. 175-189. https://doi.org/10.1386/cjmc.8.2.175_1
Be/come closer to home: Narratives of contested lands in the visual practices of Katerina Attalidou and Alexandra Handal
Photiou, Maria 2016. Be/come closer to home: Narratives of contested lands in the visual practices of Katerina Attalidou and Alexandra Handal. Third Text. 4-5, pp. 340-355. https://doi.org/10.1080/09528822.2016.1169638
The Green Line: Greek Cypriot Women Artists’ Politicised Practices, Lia Lapithi and Marianna Christofides
Photiou, M. 2012. The Green Line: Greek Cypriot Women Artists’ Politicised Practices, Lia Lapithi and Marianna Christofides. n.paradoxa: international feminist art journal. 30, pp. 83-90.
Who Are We, Where Do We Come From, Where Are We Going To? Greek Cypriot Women Artists in Contemporary Cyprus
Photiou, Maria 2012. Who Are We, Where Do We Come From, Where Are We Going To? Greek Cypriot Women Artists in Contemporary Cyprus. Women's Studies: An Interdisciplinary Journal. 41 (8), pp. 941-958. https://doi.org/10.1080/00497878.2012.718691
Nomadic Narratives, Visual Forces: Gwen John’s Letters and Paintings (review)
Maria Photiou 2011. Nomadic Narratives, Visual Forces: Gwen John’s Letters and Paintings (review). Biography. 34 (2), pp. 364-366. https://doi.org/10.1353/bio.2011.0018