Brides and widows: Iconic dress and identity in Howard Barker’s costumes

Journal article

Kipp, Lara Maleen 2017. Brides and widows: Iconic dress and identity in Howard Barker’s costumes. Studies in Costume & Performance.
AuthorsKipp, Lara Maleen

One of the strongest recurring motifs in the work of contemporary British playwright Howard Barker is women’s marital status: brides and widows abound in his work. Their status as such is often crucially configured, but also subverted through their costumes (in a Western cultural context). This paper considers the central role that brides and widows play in a variety of Barker’s dramatic texts and identifies some core working principles with regard to his use of costume. It explores the notion of the iconic garment (cf. Hannah 2014) and its influence on these characters’ identities. Drawing on aesthetic discourse, in particular that of the sublime, I analyse how Barker proposes a reconsideration of stable subject identity through these recognisable, yet ambiguous and unstable female figures.

KeywordsScenography; Costume; Howard Barker; Iconic dress
JournalStudies in Costume & Performance
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Publication dates01 Jun 2017
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Deposited02 Jun 2017, 10:18
ContributorsUniversity of Derby
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