Creative journeys: Enlivening geographic locations through artistic practice

Thesis


Reed, Susan M. 2017. Creative journeys: Enlivening geographic locations through artistic practice. Thesis
AuthorsReed, Susan M.
Abstract

Creative Journeys contribute to our knowledge of how practical ontology navigates multi-perspectives through an auto-ethnographic journey with material. I investigate how it may be possible to navigate geographic locations – Norway, Britain and Spain – through knitting as an approach to practical and philosophical exploration. In Creative Journeys I am in a process of reflexive practice, engaged in external and internal dialogue, haptic encounters, challenges and creative action. My thesis suggests that engagement with material is a fluid process and understanding evolves, so too does my journey in life. In such circumstances material functions as a mediator; creates a bridge between hand, movement, time and space. Material transcends boundaries, assists orientation and facilitates articulation of aesthetics, reminiscence, symbols, patterns, colour, sensory appreciation; all of which contribute to an understanding of relationships. Body is material and being conscious of body movement with the rhythm of diverse locations enables me to make connections through daily events, to attune to different atmospheres. In such a journey there are moments of harmony and misunderstanding, discord and adjustments; interruptions occur with energy and disrupt patterns of life. These are crossing points which enable me to experience myself through the perspective of the other; to understand how situated knowledge changes in relation to diverse perspectives; and to understand how I may contribute to the social fabric of life of diverse locations through the art of paying attention to detail. Creative Journeys are investigated through three questions: How do I relate to the world? How do art subjectivities manifest themselves through art practice? How does art evolve through relations? The questions are examined within the perspective of situated knowledge; subjectivities; material of location and practice. Investigating material in the context of these questions provides opportunities to develop capacities to navigate social, cultural and political orientation, economy, health, race, gender and belief, which all impact on the journey. My approach to the thesis evolved through my relations with creative works of knitted artefacts which I documented in personal journals. The components of practice have woven threads of inquiry through theory and reflective critical practice and form an aspect of the viva voce examination. Along with the illustrations they contribute to 20% of the written component of the thesis.

Creative Journeys contribute to our knowledge of how practical ontology

navigates multi-perspectives through an auto-ethnographic journey with

material. I investigate how it may be possible to navigate geographic

locations – Norway, Britain and Spain – through knitting as an approach to

practical and philosophical exploration. In Creative Journeys I am in a process of reflexive practice, engaged in external and internal dialogue,

haptic encounters, challenges and creative action. My thesis suggests that

engagement with material is a fluid process and understanding evolves, so too does my journey in life. In such circumstances material functions as a mediator; creates a bridge between hand, movement, time and space. Material transcends boundaries, assists orientation and facilitates articulation of aesthetics,

reminiscence, symbols, patterns, colour, sensory appreciation; all of which

contribute to an understanding of relationships. Body is material and being

conscious of body movement with the rhythm of diverse locations enables me to make connections through daily events, to attune to different atmospheres. In such a journey there are moments of harmony and misunderstanding, discord and

adjustments; interruptions occur with energy and disrupt patterns of life. These are crossing points which enable me to experience myself through the perspective of the other; to understand how situated knowledge changes in relation to diverse

perspectives; and to understand how I may contribute to the social fabric of life of diverse locations through the art of paying attention to detail.

Creative Journeys are investigated through three questions: How do I relate to the world? How do art subjectivities manifest themselves through art practice? How does art evolve through relations? The questions are examined within the

perspective of situated knowledge; subjectivities; material of location and

practice. Investigating material in the context of these questions provides

opportunities to develop capacities to navigate social, cultural and political

orientation, economy, health, race, gender and belief, which all impact on the journey. My approach to the thesis evolved through my relations with creative works of knitted artefacts which I documented in personal journals. The

components of practice have woven threads of inquiry through theory and

reflective critical practice and form an aspect of the viva voce examination. Along with the illustrations they contribute to 20% of the written component of the thesis.

KeywordsAutoethnography; Practical ontology; Subjectivities; Creative practice; Knitting; Orientation
Year2017
Web address (URL)http://hdl.handle.net/10545/621915
hdl:10545/621915
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Publication process dates
Deposited27 Oct 2017, 08:19
Publication dates03 Oct 2017
ContributorsUniversity of Derby
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https://repository.derby.ac.uk/item/9561q/creative-journeys-enlivening-geographic-locations-through-artistic-practice

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