Sam Kasule
| Name | Sam Kasule |
|---|---|
| Job title | Professor of Postcolonial Theatre and Performance |
| Research institute | College of Arts, Humanities and Education |
Research outputs
Intersection of opera and traditional African performance: Transforming orature and musical traditions in Henry Wassanyi Serukenya and Byron Kawadwa’s Oluyimba lwa Wankoko (Song of Wankoko)
Kasule, S. 2025. Intersection of opera and traditional African performance: Transforming orature and musical traditions in Henry Wassanyi Serukenya and Byron Kawadwa’s Oluyimba lwa Wankoko (Song of Wankoko). African Performance Review. 16 (1), pp. 1-51.A conversation with playwright Zodwa Nyoni
Kasule, S. 2025. A conversation with playwright Zodwa Nyoni. African Performance Review. 15 (2), pp. 1-15.Mapping age and disability through performance in African Orature and theatre performance
Kasule, S. 2025. Mapping age and disability through performance in African Orature and theatre performance. African Performance Review. 16 (2), pp. 1-16.Public Art, Dance and Music and the Politics of Culture in East and Central Africa Interview with Faisal Kiwewa of Bayimba International Festival of the Arts, Uganda
Kasule, S. 2023. Public Art, Dance and Music and the Politics of Culture in East and Central Africa Interview with Faisal Kiwewa of Bayimba International Festival of the Arts, Uganda . African Theatre Association. https://doi.org/10.30817/01412.apr0197Dancing with the gods: Okwawula Kabona Entujjo or The Baganda indigenous religion priest ordination festival
Kasule, S. 2025. Dancing with the gods: Okwawula Kabona Entujjo or The Baganda indigenous religion priest ordination festival. in: African Festivals: Cultural Formations, Encounters and Continuities Newcastle upon Tyne Cambridge Scholars Press. pp. 1-24Theatre and Performance in East Africa
Kasule, Samuel and Okagbue, O. 2021. Theatre and Performance in East Africa. Abingdon, Oxfordshire Routledge.The Post-colonial Storyteller: George Bwanika Seremba’s Come Good Rain
Kasule, S. 2021. The Post-colonial Storyteller: George Bwanika Seremba’s Come Good Rain. African Performance Review. 13 (1&2), pp. 1-12. https://doi.org/10.30817/0111apr0176“I smoked them out”: Perspectives on the emergence of folk opera or ‘musical plays’ in Uganda.
Kasule, Sam 2020. “I smoked them out”: Perspectives on the emergence of folk opera or ‘musical plays’ in Uganda. in: Matzke, C., van der Hoven, L. and Odhiambo, C. (ed.) African Theatre 19 Opera & Music Theatre Suffolk Boydell and Brewer.Walukagga the Black Smith
Kasule, Samuel 2018. Walukagga the Black Smith. Kampala, Uganda Wavah Books Ltd.Brecht in pidgin: Oladipo Agboluaje's mother courage in Africa
Kasule, Samuel 2018. Brecht in pidgin: Oladipo Agboluaje's mother courage in Africa. African Performance Review.Old ways, new ways: Theatre artists peopling the media in Uganda
Kasule, Samuel 2018. Old ways, new ways: Theatre artists peopling the media in Uganda. African Performance Review.Re-imagining Bertolt Brecht, redefining British Theatre: Oladipo Agboluaje's Mother Courage
Kasule, Samuel 2016. Re-imagining Bertolt Brecht, redefining British Theatre: Oladipo Agboluaje's Mother Courage. African Performance Review.Playing and performance in Uganda: A conversation with Professor Justinian Ssalongo Tamusuza
Kasule, Samuel 2013. Playing and performance in Uganda: A conversation with Professor Justinian Ssalongo Tamusuza. African Performance Review.‘Don’t Talk into my Talk’:oral narratives, cultural identity & popular performance in Colonial Uganda
Kasule, Samuel 2010. ‘Don’t Talk into my Talk’:oral narratives, cultural identity & popular performance in Colonial Uganda. in: James Currey.889
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