Scenographic contraptions: A manifestation for a post-representational performance design method

Conference Presentation


Penna, Xristina 2017. Scenographic contraptions: A manifestation for a post-representational performance design method. Performance Studies International.
AuthorsPenna, Xristina
TypeConference Presentation
Abstract

Design is too often considered superfluous to performances – aesthetic, technological and everyday – and yet, as a sensorially orchestrated phenomena, such invention can make discursively manifest the varying excesses of our time. As cups’ excess runneth over, the superfluous-as-design performs its superfluidity; overflowing the edges and slipping between the cracks to expose fissures and faults as possibilities; forcing open new spaces. In greeting this abundance with high-water boots, we asked how conditions of super-flu(id)ity in the social, political, environmental and/or other realms permeate our theorizing and practicing of performance design. A dozen responses to the performance+design working group’s call were selected, and these designers, theorists, pedagogues and provocateurs will share manifestos + manifestations of their research and projects in the curated Superflu(id)ity session the first day of the PSI#23 conference in Hamburg.

Year2017
PublisherPerformance Studies International
Web address (URL)http://hdl.handle.net/10545/624421
hdl:10545/624421
Publication dates08 Jun 2017
Publication process dates
Deposited23 Jan 2020, 14:09
ContributorsUniversity of Leeds
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https://repository.derby.ac.uk/item/92v1z/scenographic-contraptions-a-manifestation-for-a-post-representational-performance-design-method

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