Unsettling action and text: a collaborative experience

Book chapter


Bartram, A. 2016. Unsettling action and text: a collaborative experience. in: Routledge.
AuthorsBartram, A.
Abstract

The original abstract for this text was written in 2009, and reflected the beginning of a collaboration informed by two individuals’ research confidences and disciplines. A work titled ‘Oral/Response’, which combined the documentation of a performance within its structure, allowed a conversation to emerge between disciplines and ways of working, of live action and its textual documentation. ‘Oral / Response’ explored the dynamic, but often disjointed relationship between these two linked but separate elements within the performance itself. The simultaneous dialogue between action and text in this work aimed to highlight the ways in which performance and its legacy as documentation can be reflexive and co-dependent. By making the text as evanescent as the act it describes, this work became the foundation of a new form of practice for both collaborators, a nexus of theory and practice that combined different languages, different ways of knowing and experiencing. The rules and regulations that direct and confine solo compositions in text and action became less rigid, more malleable and symbiotic. In the interim and beyond this work the collaboration has developed in such a way that the distinction between these disciplines, specifically in critical theory and arts practice, has become insignificant. While initially the partnership provided access to each other’s disciplines there is now fluidity, confidence, and trust whereby the roles ascribed to each varies depending on the requirement of the work. The lines have become blurred, and the separation of roles foggy allowing each collaborator the safety and space to take risks by entering domains that are less familiar research methodologies. Therefore the collaboration, aside from the actual work produced, has a significant extra dimension - it allows each partner to become confident and articulate in the others field. Dynamic elements have been liberated for the possibility of an analysis of the range of co-efficiencies and motivations that abound from this fusion, and speaks of the nature of collaboration itself. A reflexivity in approach and position has reshaped, informed, and re-informed the possibilities for emergent research, where trust allows each participant to be confident in a range of methods for creating knowledge. This chapter traces the development of the collaborative relationship from its beginning in two distinct areas of expertise and strength to a partnership where there is now more overlapping of roles.

KeywordsLive art; Bartram; O'neill; Collaboration
Year2016
PublisherRoutledge
ISBN9.78114E+12
Web address (URL)http://eprints.lincoln.ac.uk/24967/
File
File Access Level
Open
File
File Access Level
Open
File
File Access Level
Open
Publication dates2016
Publication process dates
Deposited26 Oct 2018, 12:58
ContributorsUniversity of Lincoln
JournalCollaborative Art in the Twenty-First Century
Permalink -

https://repository.derby.ac.uk/item/944w4/unsettling-action-and-text-a-collaborative-experience

Download files


File
license.txt
File access level: Open

license_url
File access level: Open

9781138935747.jpg
File access level: Open

  • 59
    total views
  • 14
    total downloads
  • 1
    views this month
  • 0
    downloads this month

Export as

Related outputs

Inhabitants - online exhibition
Bartram, A. Inhabitants - online exhibition .
How Far So Near, exhibition, in New Orleans
Bartram, A. 2023. How Far So Near, exhibition, in New Orleans.
Art of Research Conference 2023 (exhibition and presentation)
Bartram, A. 2023. Art of Research Conference 2023 (exhibition and presentation). Art of Research 2023.
Curating the Animal: ethics and care of the non-human within art exhibitions
Bartram, A. 2023. Curating the Animal: ethics and care of the non-human within art exhibitions. (Un)Common Worlds 3: Navigating and Inhabiting Biodiverse Anthropocenes.
Multi-species Ethnography and Artistic Methods (MEAM) special session on Artful Publishing
Bartram, A. 2023. Multi-species Ethnography and Artistic Methods (MEAM) special session on Artful Publishing. Multi-species Ethnography and Artistic Methods (MEAM).
Reading Horse Theory to a Horse in Miami Performance International Festival ’23
Bartram, A. 2023. Reading Horse Theory to a Horse in Miami Performance International Festival ’23 .
Art and Animals and the Ethical Position
Bartram, A. 2023. Art and Animals and the Ethical Position . MDPI.
Shared Brains, Proprioceptiveness, and Critically Approaching the Animal as the Animal in Artworks
Bartram, A. and Deigaard, L. 2023. Shared Brains, Proprioceptiveness, and Critically Approaching the Animal as the Animal in Artworks. MDPI Arts Special Issue "Art and Animals and the Ethical Position". 12 (3), pp. 1-21. https://doi.org/10.3390/arts12030119
Animals in the creative process: embracing interspecies collaboration and learning from others within creativity
Bartram, A. 2023. Animals in the creative process: embracing interspecies collaboration and learning from others within creativity . British Animal Studies Network: Transitional Animals . Online 11 - 11 May 2023
Proprioceptiveness, and Being Creatively with the Animal as Animal
Bartram, A. 2023. Proprioceptiveness, and Being Creatively with the Animal as Animal. Living with Animals .
Process, Inviting Failure and Committing to the Moment
Bartram, A. 2022. Process, Inviting Failure and Committing to the Moment .
Liveness: Creative work and presence in physical and digital spaces
Bartram, A. 2022. Liveness: Creative work and presence in physical and digital spaces.
Draw | Breath | Animal
Bartram, Angela and Deigaard, Lee 2021. Draw | Breath | Animal.
El deseo de una conexión con otros. Aprendiendo de y con los perros mediante la investigación artística
Bartram, Angela 2021. El deseo de una conexión con otros. Aprendiendo de y con los perros mediante la investigación artística. Tabula Rasa. https://doi.org/10.25058/20112742.n40.09
Desiring a Connection with Others: Learning from and with dogs through artistic research
Bartram, Angela 2021. Desiring a Connection with Others: Learning from and with dogs through artistic research. Tabula Rasa. https://doi.org/10.25058/20112742.n40.09
A Woman's World
Bartram, Angela and Parker, Christine 2021. A Woman's World.
All the Small Things exhibition
Bartram, Angela 2021. All the Small Things exhibition.
Reflections in Anticipation of Loss
Bartram, Angela 2021. Reflections in Anticipation of Loss.
Be Your Dog (re-worked) at Mink Festival: A Zoo of the Pandemic
Bartram, Angela 2021. Be Your Dog (re-worked) at Mink Festival: A Zoo of the Pandemic. Mink Festival.
ANTONYM: Life With and Without Animals: an online exhibition
Bartram, Angela and Baker, Steve 2020. ANTONYM: Life With and Without Animals: an online exhibition.
Life with and without animals: the second (Un)common worlds conference
Bartram, Angela and Baker, Steve 2020. Life with and without animals: the second (Un)common worlds conference. University of Derby.
The Beginning of Process: 1 of 366 prints taken from the same plate and The End of Process: 366 of 366 prints taken from the same plate
Bartram, Angela 2021. The Beginning of Process: 1 of 366 prints taken from the same plate and The End of Process: 366 of 366 prints taken from the same plate.
Documents, Alternatives #4
Bartram, Angela 2020. Documents, Alternatives #4.
Feature: Angela Bartram - 366:366 (eventually; animated; finally), 2016-2020
Bartram, Angela 2020. Feature: Angela Bartram - 366:366 (eventually; animated; finally), 2016-2020. Transmissions.
Be your dog (workshop)
Bartram, Angela 2020. Be your dog (workshop).
Human school (be your dog!)
Bartram, Angela 2019. Human school (be your dog!).
When the image takes over the real: Holography and its potential within acts of visual documentation
Bartram, Angela 2020. When the image takes over the real: Holography and its potential within acts of visual documentation. MDPI Arts Special Issue "Holography—A Critical Debate within Contemporary Visual Culture". https://doi.org/10.3390/arts9010024
Dogs and the elderly: significant cohabitation and companionship towards the end of life
Bartram, Angela 2019. Dogs and the elderly: significant cohabitation and companionship towards the end of life.
Dogs and the elderly
Bartram, Angela 2019. Dogs and the elderly.
Otherlings
Bartram, Angela, McCloskey, Paula, Baker, Steve, Davies, Huw, Basi, Philip Ranjit, Fisher, Craig, Vardy, Sam, Rushton, S., Mallinson, Mally and Parker, Christine 2019. Otherlings. University of Derby.
The Alternative Document
Bartram, Angela 2018. The Alternative Document. Taylor & Francis.
Unsatisfactory Devices: Legacy and the Undocumentable in Art
Angela Bartram and Bartram, A. 2018. Unsatisfactory Devices: Legacy and the Undocumentable in Art. Palgrave Macmillan. https://doi.org/10.1007/978-3-319-96767-7_6
Dogs and the elderly: the significance of end of life interspecies companionship.
Bartram, Angela 2018. Dogs and the elderly: the significance of end of life interspecies companionship.
Here and there: two works, ten countries.
Bartram, Angela and O'Neill, Mary 2016. Here and there: two works, ten countries. Acta Academiae Artium Vilnensis.
Documents, Alternatives #3
Bartram, Angela 2018. Documents, Alternatives #3. Bath School of Art and Design, Bath.
Documents, Alternatives #2
Bartram, Angela 2018. Documents, Alternatives #2. Verge Gallery, Sydney.
Documents, Alternatives #1
Bartram, Angela 2017. Documents, Alternatives #1. Airspace Gallery, Stoke on Trent.
Recto Verso: Redefining the Sketchbook
Angela Bartram and Bartram, A. 2014. Recto Verso: Redefining the Sketchbook. Ashgate Publishing Ltd..
Here and there: two works, ten countries
Bartram, A. 2015. Here and there: two works, ten countries. in:
Here and there: two works, ten countries (displaced)
Bartram, A. 2015. Here and there: two works, ten countries (displaced).
“Does that mean I have to hump Monica?”: the sexual dynamics of a human / nonhuman dog pack.
Bartram, Angela and Hurley, Paul 2018. “Does that mean I have to hump Monica?”: the sexual dynamics of a human / nonhuman dog pack. Human-Animal Studies Conference.
Ephemeral art and documenting the un-documentable.
Bartram, Angela 2018. Ephemeral art and documenting the un-documentable.
The Alternative Document exhibition, curated by Angela Bartram
Bartram, A. 2016. The Alternative Document exhibition, curated by Angela Bartram.
The Alternative Document symposium, created and led by Angela Bartram
Bartram, A. 2016. The Alternative Document symposium, created and led by Angela Bartram.
Teaching an old dog new tricks.
Bartram, Angela 2018. Teaching an old dog new tricks.
Here and There: two works, ten countries.
Bartram, Angela and O'Neill, Mary 2015. Here and There: two works, ten countries.
Introduction
Bartram, Angela 2018. Introduction. Studies in Theatre and Performance. https://doi.org/10.1080/14682761.2018.1506968
A sense of becoming and alienation: the retrospective in the work of Jordan McKenzie.
Bartram, Angela 2018. A sense of becoming and alienation: the retrospective in the work of Jordan McKenzie. Studies in Theatre and Performance. https://doi.org/10.1080/14682761.2018.1503849
Documents, alternatives - a symposium of artistic process and practice.
Bartram, Angela 2018. Documents, alternatives - a symposium of artistic process and practice.
Guest talk: Be your dog.
Bartram, Angela 2018. Guest talk: Be your dog. Live Art Development Agency.
Revisiting the retrospective of the work of Jordan McKenzie.
Bartram, Angela 2018. Revisiting the retrospective of the work of Jordan McKenzie.
Collaborative animals: dogs and humans as co-working artists
Bartram, A. 2017. Collaborative animals: dogs and humans as co-working artists. Eastern Kentucky University.
Be your dog
Bartram, Angela 2016. Be your dog. KARST Gallery, Plymouth.
ABBA (on tour) the practice of process
Bartram, A. 2017. ABBA (on tour) the practice of process. Project Space Plus.
Collaborating animals: dog and human artists
Bartram, A. 2017. Collaborating animals: dog and human artists. University of Adelaide.
No seconds out - no blow in sight
Bartram, A. 2016. No seconds out - no blow in sight. Transart Triennial.
Carrion, exhibited as part of Imagistic, Hillyer Art Space, Washington DC, 9 September 2016.
Bartram, A. 2016. Carrion, exhibited as part of Imagistic, Hillyer Art Space, Washington DC, 9 September 2016. Hillyer.
Tea boxing
Bartram, A. 2016. Tea boxing. Airspace Gallery, Stoke on Trent.
Be your dog (re-worked footage)
Bartram, A. 2016. Be your dog (re-worked footage). KARST Gallery, Plymouth.
Performances by Bartram O'Neill [textual documentation]
Bartram, A. 2015. Performances by Bartram O'Neill [textual documentation]. TaPRA.
BartramONeill Actions 2009 - 2014 [iBook]
Bartram, A. and Mary ONeill 2014. BartramONeill Actions 2009 - 2014 [iBook]. Apple.
Performances of Bartram O'Neill [textual documentation]
Bartram, A. 2014. Performances of Bartram O'Neill [textual documentation]. Modern Art Oxford.
Licking dogs [video artwork]
Bartram, A. 2014. Licking dogs [video artwork]. O N C A Gallery.
Unspoken
Bartram, A. 2014. Unspoken. InDialogue.
Angry words
Bartram, A. 2014. Angry words. Miami Performance Festival.
Translating rage
Bartram, A. and Mary O'Neill 2014. Translating rage. CORE.