Otherlings
Other
Bartram, Angela, McCloskey, Paula, Baker, Steve, Davies, Huw, Basi, Philip Ranjit, Fisher, Craig, Vardy, Sam, Rushton, S., Mallinson, Mally and Parker, Christine 2019. Otherlings. University of Derby.
| Authors | Bartram, Angela, McCloskey, Paula, Baker, Steve, Davies, Huw, Basi, Philip Ranjit, Fisher, Craig, Vardy, Sam, Rushton, S., Mallinson, Mally and Parker, Christine |
|---|---|
| Abstract | Otherlings is an exhibition featuring work from Ang Bartram, Steve Baker, Huw Davies and Philip Ranjit Basi, Craig Fisher, Paula McCloskey and Sam Vardy, Stephanie Rushton and Mally Mallinson, and Christine Parker. The overarching theme of the artworks within the exhibition suggests something beyond the parameters of dominancy and its cultural representation. The work in many ways offers explicit or implicit ways to connect us to other perspectives, and experiences through different and often unseen and discussed encounters. It thus opens up new paradigms for debate, for how we might live with care and compassion and function with others, as part of a world shared by many. |
| Keywords | Otherlings; DMARC; parameters of dominancy; compassion |
| Year | 2019 |
| Publisher | University of Derby |
| Web address (URL) | https://artcoregallery.org.uk/event/otherlings-exhibition/2019-10-18/ |
| http://creativecommons.org/licenses/by-nd/4.0/ | |
| hdl:10545/624310 | |
| File | File Access Level Open |
| File | File Access Level Open |
| File | File Access Level Open |
| Publication dates | 18 Oct 2019 |
| Publication process dates | |
| Deposited | 04 Dec 2019, 15:35 |
| Accepted | 18 Oct 2019 |
| Rights | Attribution-NoDerivatives 4.0 International |
| Contributors | University of Derby and Artcore |
Permalink -
https://repository.derby.ac.uk/item/93z64/otherlings
Download files
File
 | license.txt | |
| File access level: Open | ||
| license_rdf | |
| File access level: Open | ||
| Otherlings catalogue 19.pdf | ||
| File access level: Open | ||
69
total views10
total downloads2
views this month1
downloads this month
Export as
Related outputs
REMAINS
Fisher, C. 2024. REMAINS.Inhabitants - online exhibition
Bartram, A. Inhabitants - online exhibition .TEES: an exhibition exploring the T-shirt as art form
Fisher, C. 2023. TEES: an exhibition exploring the T-shirt as art form.Facade (Balcony)
Fisher, C. 2023. Facade (Balcony).Back To The Streets
Basi, P. 2023. Back To The Streets. VimeoLakharo of Light
Davies, H. and Basi, P. 2023. Lakharo of Light.How Far So Near, exhibition, in New Orleans
Bartram, A. 2023. How Far So Near, exhibition, in New Orleans.From Online to Offline: translating screen-based interactions into studio practices.
Fisher, C. and Robinson, C. 2023. From Online to Offline: translating screen-based interactions into studio practices. On Not Knowing: How Artists Teach .Art of Research Conference 2023 (exhibition and presentation)
Bartram, A. 2023. Art of Research Conference 2023 (exhibition and presentation). Art of Research 2023.MAKING §~KIN
Rushton, S. 2023. MAKING §~KIN. An Elastic Continuum symposium.Curating the Animal: ethics and care of the non-human within art exhibitions
Bartram, A. 2023. Curating the Animal: ethics and care of the non-human within art exhibitions. (Un)Common Worlds 3: Navigating and Inhabiting Biodiverse Anthropocenes.Multi-species Ethnography and Artistic Methods (MEAM) special session on Artful Publishing
Bartram, A. 2023. Multi-species Ethnography and Artistic Methods (MEAM) special session on Artful Publishing. Multi-species Ethnography and Artistic Methods (MEAM).Reading Horse Theory to a Horse in Miami Performance International Festival ’23
Bartram, A. 2023. Reading Horse Theory to a Horse in Miami Performance International Festival ’23 .Art and Animals and the Ethical Position
Bartram, A. 2023. Art and Animals and the Ethical Position . MDPI.Shared Brains, Proprioceptiveness, and Critically Approaching the Animal as the Animal in Artworks
Bartram, A. and Deigaard, L. 2023. Shared Brains, Proprioceptiveness, and Critically Approaching the Animal as the Animal in Artworks. MDPI Arts Special Issue "Art and Animals and the Ethical Position". 12 (3), pp. 1-21. https://doi.org/10.3390/arts12030119Animals in the creative process: embracing interspecies collaboration and learning from others within creativity
Bartram, A. 2023. Animals in the creative process: embracing interspecies collaboration and learning from others within creativity . British Animal Studies Network: Transitional Animals . Online 11 - 11 May 2023Proprioceptiveness, and Being Creatively with the Animal as Animal
Bartram, A. 2023. Proprioceptiveness, and Being Creatively with the Animal as Animal. Living with Animals .Fragile Cartographies of Border Fictioning
McCloskey, P. and Vardy, S. 2023. Fragile Cartographies of Border Fictioning. in: Zaman, Q. M. and Hall, G. (ed.) Border Urbanism: Transdisciplinary Perspectives Switzerland Springer.FLAT SPACE
Fisher, C. 2022. FLAT SPACE .Unfolding Spaces
Fisher, C. 2022. Unfolding Spaces.Arkadia: Threads of Fate
Rushton, S. 2022. Arkadia: Threads of Fate.a space in a space in a space
Fisher, C. 2022. a space in a space in a space.The willow: Zine
McCloskey, P. 2022. The willow: Zine .Wetland Dwellers: Sound Performance Walk
McCloskey, P. 2022. Wetland Dwellers: Sound Performance Walk.Drawing Discussion with Craig Fisher & Andrea Cryer
Fisher, C. and Cryer, A. Drawing Discussion with Craig Fisher & Andrea Cryer. Drawing Projects UK.Case Study: Craig Fisher presentation, Cumulus Contemporary Art Working Group / 21st Century Colour Literacy Project
Fisher, C. 2022. Case Study: Craig Fisher presentation, Cumulus Contemporary Art Working Group / 21st Century Colour Literacy Project.Wetland Dwellers: Sharing Assembly
McCloskey, P. 2022. Wetland Dwellers: Sharing Assembly .Process, Inviting Failure and Committing to the Moment
Bartram, A. 2022. Process, Inviting Failure and Committing to the Moment .Liveness: Creative work and presence in physical and digital spaces
Bartram, A. 2022. Liveness: Creative work and presence in physical and digital spaces.Draw | Breath | Animal
Bartram, Angela and Deigaard, Lee 2021. Draw | Breath | Animal.Fish Market, Lagos: Artist Pages and Supporting Statement
Baker, Steve 2021. Fish Market, Lagos: Artist Pages and Supporting Statement. in: Routledge.El deseo de una conexión con otros. Aprendiendo de y con los perros mediante la investigación artística
Bartram, Angela 2021. El deseo de una conexión con otros. Aprendiendo de y con los perros mediante la investigación artística. Tabula Rasa. https://doi.org/10.25058/20112742.n40.09Desiring a Connection with Others: Learning from and with dogs through artistic research
Bartram, Angela 2021. Desiring a Connection with Others: Learning from and with dogs through artistic research. Tabula Rasa. https://doi.org/10.25058/20112742.n40.09Trinity Buoy Wharf Drawing Prize, 2021
Fisher, C. 2021. Trinity Buoy Wharf Drawing Prize, 2021.40 Years Of Derby Carnival
Basi, Philip Ranjit 2015. 40 Years Of Derby Carnival.FAN Mothers in Our Fragile Social Network against Climate Change
McCloskey, Paula, Duffy, Clare, Zvensden, Zoe, Chicago, Jennifer, Hawkes, Jodie, Townley, Anna, Lovett, Leah and Šimić, Lena 2021. FAN Mothers in Our Fragile Social Network against Climate Change. Journal of the Motherhood Initiative.A Woman's World
Bartram, Angela and Parker, Christine 2021. A Woman's World.All the Small Things exhibition
Bartram, Angela 2021. All the Small Things exhibition.Arkadia
Rushton, S. and Mallinson, M. 2021. Arkadia.Reflections in Anticipation of Loss
Bartram, Angela 2021. Reflections in Anticipation of Loss.Ineffectual Barriers
Fisher, C. 2021. Ineffectual Barriers.Be Your Dog (re-worked) at Mink Festival: A Zoo of the Pandemic
Bartram, Angela 2021. Be Your Dog (re-worked) at Mink Festival: A Zoo of the Pandemic. Mink Festival.ANTONYM: Life With and Without Animals: an online exhibition
Bartram, Angela and Baker, Steve 2020. ANTONYM: Life With and Without Animals: an online exhibition.Life with and without animals: the second (Un)common worlds conference
Bartram, Angela and Baker, Steve 2020. Life with and without animals: the second (Un)common worlds conference. University of Derby.Utran Conversations
Davies, Huw and Basi, Philip Ranjit 2019. Utran Conversations. Artcore / University of Derby.Myths for a Wetlands Imaginary, HD Film, 9’24’’, 2019
McCloskey, Paula and Vardy, Sam 2020. Myths for a Wetlands Imaginary, HD Film, 9’24’’, 2019.Some of what happened here…v.2.0. FORMAT: A case study of impact through legacy, time and place
Davies, Huw 2020. Some of what happened here…v.2.0. FORMAT: A case study of impact through legacy, time and place. in: Cambridge Scholars Press.Trees and Other Objects
Baker, Steve and Dodd, Mike 2017. Trees and Other Objects. Singular.TEN – Crossing Borders to Border Crossing
Davies, Huw and Pollock, Venda 2014. TEN – Crossing Borders to Border Crossing. Berwick Film & Media Arts Festival / ACE / BFI.DerbyVoice Documentary Short
Basi, Philip Ranjit 2021. DerbyVoice Documentary Short.The Beginning of Process: 1 of 366 prints taken from the same plate and The End of Process: 366 of 366 prints taken from the same plate
Bartram, Angela 2021. The Beginning of Process: 1 of 366 prints taken from the same plate and The End of Process: 366 of 366 prints taken from the same plate.The non/inhuman within: beyond the biopolitical intrauterine imaginary
McCloskey, Paula 2021. The non/inhuman within: beyond the biopolitical intrauterine imaginary. Studies in Gender and Sexuality. 22 (3), pp. 174-191. https://doi.org/10.1080/15240657.2021.1961494Geopower (Spatial Self Organisation Against Injustice in Sheffield)
McCloskey, Paula and Vardy, Sam 2019. Geopower (Spatial Self Organisation Against Injustice in Sheffield).Screening of the territories of Eile
McCloskey, Paula and Vardy, Sam 2019. Screening of the territories of Eile.Performing geopower: Eile and border-fictioning
McCloskey, Paula and Vardy, Sam 2020. Performing geopower: Eile and border-fictioning. Scene.Documents, Alternatives #4
Bartram, Angela 2020. Documents, Alternatives #4.Feature: Angela Bartram - 366:366 (eventually; animated; finally), 2016-2020
Bartram, Angela 2020. Feature: Angela Bartram - 366:366 (eventually; animated; finally), 2016-2020. Transmissions.Myths for a wetlands imaginary
McCloskey, Paula 2019. Myths for a wetlands imaginary.Constituent relations across the city: Three perspectives from practice
McCloskey, Paula, Vardy, Sam, Udall, Julia and Vodicka, Goran 2019. Constituent relations across the city: Three perspectives from practice.Border fictioning (Eile project)
McCloskey, Paula and Vardy, Sam 2019. Border fictioning (Eile project).Territories of Eile, film screening
McCloskey, Paula and Vardy, Sam 2019. Territories of Eile, film screening.The material-discursive border & territorial-apparatuses {the Eile project}
McCloskey, Paula and Vardy, Sam 2020. The material-discursive border & territorial-apparatuses {the Eile project}. Building Material.Be your dog (workshop)
Bartram, Angela 2020. Be your dog (workshop).Human school (be your dog!)
Bartram, Angela 2019. Human school (be your dog!).When the image takes over the real: Holography and its potential within acts of visual documentation
Bartram, Angela 2020. When the image takes over the real: Holography and its potential within acts of visual documentation. MDPI Arts Special Issue "Holography—A Critical Debate within Contemporary Visual Culture". https://doi.org/10.3390/arts9010024The disorderly animal in contemporary art
Baker, Steve 2017. The disorderly animal in contemporary art.The contemporary animal
Baker, Steve 2015. The contemporary animal.The redescription of the world
Baker, Steve 2014. The redescription of the world.Beyond botched taxidermy
Baker, Steve 2016. Beyond botched taxidermy.The necessary gaze
Baker, Steve 2020. The necessary gaze.The disorderly animal in contemporary art
Baker, Steve 2020. The disorderly animal in contemporary art.The contemporary animal
Baker, Steve 2015. The contemporary animal.How do we speak about art about animals?
Baker, Steve 2014. How do we speak about art about animals?Dogs and the elderly: significant cohabitation and companionship towards the end of life
Bartram, Angela 2019. Dogs and the elderly: significant cohabitation and companionship towards the end of life.Dogs and the elderly
Bartram, Angela 2019. Dogs and the elderly.Something’s gone wrong again
Baker, Steve 2017. Something’s gone wrong again. in: Giovanni Aloi.A poetics of graphic design?
Baker, Steve 2012. A poetics of graphic design? in: Occasional Papers.The hands of Beuys and Heidegger
Baker, Steve 2016. The hands of Beuys and Heidegger. in: Whitechapel Gallery/ MIT Press.Beyond batched taxidermy
Baker, Steve 2015. Beyond batched taxidermy. in: David Winton Bell Gallery.Sztuka wspolczesna i prawa zwierzat
Baker, Steve 2015. Sztuka wspolczesna i prawa zwierzat. in: Wydawnictwo Instytutu Badań Literackich PAN.Steve Baker: Fieldwork
Baker, Steve 2019. Steve Baker: Fieldwork.Dead, dead, dead, dead, dead.
Baker, Steve 2014. Dead, dead, dead, dead, dead. in: Routledge.Five heraldic animals (for Eduardo Kac)
Baker, Steve 2015. Five heraldic animals (for Eduardo Kac). in: Taylor & Francis.Foreward
Baker, Steve 2015. Foreward. in: Lantern Books.Scapeland
Baker, Steve 2014. Scapeland.Roadside
Baker, Steve 2014. Roadside. in: Museum Ostwall im Dortmunder U.Art, Maternal and Matrixial Encounters
McCloskey, Paula 2013. Art, Maternal and Matrixial Encounters. ThesisAcross the decades (60 years).
Basi, Philip Ranjit 2016. Across the decades (60 years).100 years of Bollywood part 1 & 2: queens of melody.
Basi, Philip Ranjit 2014. 100 years of Bollywood part 1 & 2: queens of melody.Eile Project: Art and Spatial Research UK/Irish Border (2016 – ongoing)
McCloskey, Paula and Vardy, Sam 2016. Eile Project: Art and Spatial Research UK/Irish Border (2016 – ongoing).Fragile cartographies of border fictioning: a place of their own
McCloskey, Paula and Vardy, Sam 2018. Fragile cartographies of border fictioning: a place of their own.Audiovisual border fictioning (of the body & territory): the Eile project, AV body conference, Huddersfield University.
McCloskey, Paula and Vardy, Sam 2018. Audiovisual border fictioning (of the body & territory): the Eile project, AV body conference, Huddersfield University.Victoria Lucas lay of the land: landscape and other stories.
McCloskey, Paula 2017. Victoria Lucas lay of the land: landscape and other stories.Border field/apparatuses.
McCloskey, Paula and Vardy, Sam 2019. Border field/apparatuses.Emilie Taylor's beating the bounds: a citical essay.
McCloskey, Paula 2018. Emilie Taylor's beating the bounds: a citical essay.A place of their own
McCloskey, Paula 2018. A place of their own. in: Spirit Duplicator.In conversation: Mary Kelly speaks to Paula McCloskey.
McCloskey, Paula 2012. In conversation: Mary Kelly speaks to Paula McCloskey. Studies in the Maternal. https://doi.org/10.16995/sim.60Post-Partum Document and Affect
McCloskey, Paula 2013. Post-Partum Document and Affect. Studies in the Maternal. https://doi.org/10.16995/sim.121The potentiality of encounters: a response to Lisa Baraitser’s maternal encounters.
McCloskey, Paula 2012. The potentiality of encounters: a response to Lisa Baraitser’s maternal encounters. Studies in Gender and Sexuality. 13 (2), pp. 89-93. https://doi.org/10.1080/15240657.2012.682908Drawing-through maternal subjectivity
McCloskey, Paula 2014. Drawing-through maternal subjectivity.Photograph: Dr Paula McCloskey presenting her lecture art, maternal and matrixial encounters at the Mother Voices midsummer eve's potlach and the launch of the Mother Voices foundation.
McCloskey, Paula 2014. Photograph: Dr Paula McCloskey presenting her lecture art, maternal and matrixial encounters at the Mother Voices midsummer eve's potlach and the launch of the Mother Voices foundation.Reflections on belongings and becomings; art, maternity and family activism.
McCloskey, Paula 2017. Reflections on belongings and becomings; art, maternity and family activism.Art and maternal subjectivity: an ongoing relation
McCloskey, Paula 2015. Art and maternal subjectivity: an ongoing relation.Family activist network performance
McCloskey, Paula 2014. Family activist network performance.Family Entanglements
McCloskey, Paula and Vardy, Sam 2018. Family Entanglements.Micro
Fisher, Craig 2019. Micro. AIR Gallery, Altrincham.Dimensions of publicness: 24 Gabrovo biennial of humour and satire
Fisher, Craig 2019. Dimensions of publicness: 24 Gabrovo biennial of humour and satire. Museum of Humour and Satire, Gabrovo, Bulgaria.Archaea and Rejoicing the Sun
Rushton, S. 2019. Archaea and Rejoicing the Sun. RPS Contemporary Group Journal.Paula McCloskey’ in Loveless, N.S. Contemporary Mamactivist Artists: A Forum on Maternal Activist Art for the Studies in the Maternal Special Issue on The Everyday Maternal Practice: Activist Structures in Creative Work, Summer 2016
McCloskey, Paula 2016. Paula McCloskey’ in Loveless, N.S. Contemporary Mamactivist Artists: A Forum on Maternal Activist Art for the Studies in the Maternal Special Issue on The Everyday Maternal Practice: Activist Structures in Creative Work, Summer 2016. Studies in the Maternal. https://doi.org/10.16995/sim.224The Alternative Document
Bartram, Angela 2018. The Alternative Document. Taylor & Francis.Birth shock: exploring pregnancy, birth and the transition to motherhood using participatory arts.
Hogan, Susan, Baker, Charley, Cornish, Shelagh, McCloskey, Paula and Watts, Lisa 2015. Birth shock: exploring pregnancy, birth and the transition to motherhood using participatory arts. in: Demeter Press.Experiences and impact of mistreatment and obstetric violence on women during childbearing: a systematic review protocol.
Mcgarry, Julie, Hinsliff-Smith, Kathryn, Watts, Kim, McCloskey, Paula and Evans, Catrin 2017. Experiences and impact of mistreatment and obstetric violence on women during childbearing: a systematic review protocol. JBI Database of Systematic Reviews and Implementation Reports.. https://doi.org/10.11124/JBISRIR-2016-002950Unsatisfactory Devices: Legacy and the Undocumentable in Art
Angela Bartram and Bartram, A. 2018. Unsatisfactory Devices: Legacy and the Undocumentable in Art. Palgrave Macmillan. https://doi.org/10.1007/978-3-319-96767-7_6Dogs and the elderly: the significance of end of life interspecies companionship.
Bartram, Angela 2018. Dogs and the elderly: the significance of end of life interspecies companionship.Here and there: two works, ten countries.
Bartram, Angela and O'Neill, Mary 2016. Here and there: two works, ten countries. Acta Academiae Artium Vilnensis.Documents, Alternatives #3
Bartram, Angela 2018. Documents, Alternatives #3. Bath School of Art and Design, Bath.Documents, Alternatives #2
Bartram, Angela 2018. Documents, Alternatives #2. Verge Gallery, Sydney.Documents, Alternatives #1
Bartram, Angela 2017. Documents, Alternatives #1. Airspace Gallery, Stoke on Trent.Recto Verso: Redefining the Sketchbook
Angela Bartram and Bartram, A. 2014. Recto Verso: Redefining the Sketchbook. Ashgate Publishing Ltd..Here and there: two works, ten countries
Bartram, A. 2015. Here and there: two works, ten countries. in:Unsettling action and text: a collaborative experience
Bartram, A. 2016. Unsettling action and text: a collaborative experience. in: Routledge.Here and there: two works, ten countries (displaced)
Bartram, A. 2015. Here and there: two works, ten countries (displaced).“Does that mean I have to hump Monica?”: the sexual dynamics of a human / nonhuman dog pack.
Bartram, Angela and Hurley, Paul 2018. “Does that mean I have to hump Monica?”: the sexual dynamics of a human / nonhuman dog pack. Human-Animal Studies Conference.Ephemeral art and documenting the un-documentable.
Bartram, Angela 2018. Ephemeral art and documenting the un-documentable.The Alternative Document exhibition, curated by Angela Bartram
Bartram, A. 2016. The Alternative Document exhibition, curated by Angela Bartram.The Alternative Document symposium, created and led by Angela Bartram
Bartram, A. 2016. The Alternative Document symposium, created and led by Angela Bartram.Teaching an old dog new tricks.
Bartram, Angela 2018. Teaching an old dog new tricks.Here and There: two works, ten countries.
Bartram, Angela and O'Neill, Mary 2015. Here and There: two works, ten countries.PaintingDigitalPhotography: Synthesis and difference in the age of media equivalence
Hilliard, John, Honlold, Astrid, Robinson, C., Rosenstein, Tatiana, Rushton, S., Simson, Henrietta, Speidel, Klaus, Walker, Jame Faure, Weir, Catherine M, Wooldridge, Duncan and Wright, Mark 2018. PaintingDigitalPhotography: Synthesis and difference in the age of media equivalence. Cambridge Scholars Publishing.Introduction
Bartram, Angela 2018. Introduction. Studies in Theatre and Performance. https://doi.org/10.1080/14682761.2018.1506968A sense of becoming and alienation: the retrospective in the work of Jordan McKenzie.
Bartram, Angela 2018. A sense of becoming and alienation: the retrospective in the work of Jordan McKenzie. Studies in Theatre and Performance. https://doi.org/10.1080/14682761.2018.1503849Documents, alternatives - a symposium of artistic process and practice.
Bartram, Angela 2018. Documents, alternatives - a symposium of artistic process and practice.Guest talk: Be your dog.
Bartram, Angela 2018. Guest talk: Be your dog. Live Art Development Agency.Revisiting the retrospective of the work of Jordan McKenzie.
Bartram, Angela 2018. Revisiting the retrospective of the work of Jordan McKenzie.Collaborative animals: dogs and humans as co-working artists
Bartram, A. 2017. Collaborative animals: dogs and humans as co-working artists. Eastern Kentucky University.Be your dog
Bartram, Angela 2016. Be your dog. KARST Gallery, Plymouth.The archaea: painting digital photography.
Rushton, S. 2018. The archaea: painting digital photography. in: Cambridge Scholars Publishing.ABBA (on tour) the practice of process
Bartram, A. 2017. ABBA (on tour) the practice of process. Project Space Plus.
Collaborating animals: dog and human artists
Bartram, A. 2017. Collaborating animals: dog and human artists. University of Adelaide.Gestures of Resistance
Fisher, Craig and Wainwright, Jean 2017. Gestures of Resistance. University for the Creative Arts, Canterbury Romantso Cultural Centre, Athens, Greece.Enthusiasm
Basi, Philip Ranjit 2017. Enthusiasm. Enthusiasm.Abandoned village
Fisher, Craig 2017. Abandoned village.Creekside Open 2017
Fisher, Craig 2017. Creekside Open 2017. APT Gallery, London.The archaea (2017)
Rushton, S. 2017. The archaea (2017).The Archaea
Rushton, S. 2017. The Archaea.BFMAF – Fact or Fiction
Davies, Huw and Taylor, Peter 2015. BFMAF – Fact or Fiction. Berwick Film & Media Arts Festival.BFMAF – Border Crossing
Davies, Huw and Iredale, Melanie 2014. BFMAF – Border Crossing. Arts Council England.No seconds out - no blow in sight
Bartram, A. 2016. No seconds out - no blow in sight. Transart Triennial.Carrion, exhibited as part of Imagistic, Hillyer Art Space, Washington DC, 9 September 2016.
Bartram, A. 2016. Carrion, exhibited as part of Imagistic, Hillyer Art Space, Washington DC, 9 September 2016. Hillyer.Tea boxing
Bartram, A. 2016. Tea boxing. Airspace Gallery, Stoke on Trent.Be your dog (re-worked footage)
Bartram, A. 2016. Be your dog (re-worked footage). KARST Gallery, Plymouth.Now For Tomorrow II
Fisher, Craig 2016. Now For Tomorrow II. Nottingham Castle Museum & Art Gallery.Razzle dazzle
Fisher, Craig, Chambers, Louisa and Flint, Rob 2016. Razzle dazzle.Small Sculpture Show
Fisher, Craig 2016. Small Sculpture Show. Village Green Arts & Music Festival presented by Metal.Woman's Work
Rushton, S. 2016. Woman's Work.Gettin' the Heart Ready
Fisher, Craig 2016. Gettin' the Heart Ready. The Royal Standard.Performances by Bartram O'Neill [textual documentation]
Bartram, A. 2015. Performances by Bartram O'Neill [textual documentation]. TaPRA.Jerwood drawing prize 2015
Fisher, Craig 2015. Jerwood drawing prize 2015.Innovative curatorial strategies – a consideration of site
Fisher, Craig 2015. Innovative curatorial strategies – a consideration of site.Things we didn’t have before
Fisher, Craig 2015. Things we didn’t have before. Pump House Gallery.Stand In
Fisher, Craig and Swann, Debra 2015. Stand In. Nottingham Contemporary.What kingdoms may come
Rushton, S. 2015. What kingdoms may come.