Journeys, pathways and track plans

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Rushton, S. 2014. Journeys, pathways and track plans.
AuthorsRushton, S.
Abstract

Journeys - a 2 week contemporary art exhibition based around the idea of the various forms a journey can take, be that physical, of the mind or imagination. Ecopsychology is a psychological subfield that looks at the relationship between human beings and their environment, embracing a more revolutionary paradigm: just as Freud believed that neuroses were the consequences of dismissing deep rooted sexual and aggressive instincts, eco-psychologists believe that grief, despair and anxiety are the consequences of dismissing equally deep rooted ecological instincts.’ It is this connection between the human psyche and nature that is being explored. ‘In the Drowned World’ a recent series of images taken on walks along the track-bed of a disused railway feature labyrinthine, tangled and sometimes menacing vegetation inspired by the paintings of Max Ernst, alluding to Ballardian themes of nature’s retribution. The large scale image is printed on duratrans mounted on opaque Perspex and fixed to the outside of a window, the impression being of the tangled vegetation viewed through the window.

Journeys - a 2 week contemporary art exhibition based around the idea of the various forms a journey can take, be that physical, of the mind or imagination.
Ecopsychology is a psychological subfield that looks at the relationship between human beings and their environment, embracing a more revolutionary paradigm: just as Freud believed that neuroses were the consequences of dismissing deep rooted sexual and aggressive instincts, eco-psychologists believe that grief, despair and anxiety are the consequences of dismissing equally deep rooted ecological instincts.’ It is this connection between the human psyche and nature that is being explored.

‘In the Drowned World’ a recent series of images taken on walks along the track-bed of a disused railway feature labyrinthine, tangled and sometimes menacing vegetation inspired by the paintings of Max Ernst, alluding to Ballardian themes of nature’s retribution. The large scale image is printed on duratrans mounted on opaque Perspex and fixed to the outside of a window, the impression being of the tangled vegetation viewed through the window.

KeywordsMultimedia; Art; Exhibition; Ecopsychology
Year2014
Web address (URL)http://hdl.handle.net/10545/619819
hdl:10545/619819
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Publication datesOct 2014
Publication process dates
Deposited04 Sep 2016, 18:19
ContributorsUniversity of Derby
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