Forge
Other
Bosward, Marc, Shore, Tim and Poynton, Stuart 2014. Forge.
| Authors | Bosward, Marc, Shore, Tim and Poynton, Stuart |
|---|---|
| Abstract | Site-specific projection pieces exploring the architecture and history of the Derwent Valley Mills. The ‘Forge’ installation was part of the DerwentWISE ‘Pulse’ project and was installed in partnership with Quad, Derby. The collaborative work will be developed further through planned engagement with a range of national and international locations and historical narratives, with particular reference to industrialization and the societal impact of technological development. |
Site-specific projection pieces exploring the architecture and history of the Derwent Valley Mills. The ‘Forge’ installation was part of the DerwentWISE ‘Pulse’ project and was installed in partnership with Quad, Derby. The collaborative work will be developed further through planned engagement with a range of national and international locations and historical narratives, with particular reference to industrialization and the societal impact of technological development. | |
| Keywords | Projection; Architecture; Industrialization; Historical narrative |
| Year | 2014 |
| Web address (URL) | http://hdl.handle.net/10545/619236 |
| hdl:10545/619236 | |
| File | File Access Level Open |
| File | File Access Level Open |
| Publication dates | 2014 |
| Publication process dates | |
| Deposited | 01 Sep 2016, 13:55 |
| Contributors | University of Derby |
Permalink -
https://repository.derby.ac.uk/item/9409z/forge
Download files
File
| Bosward_Marc_Rebirth_and_From_Pillar_to_Post_AD.docx | ||
| File access level: Open | ||
 | license.txt | |
| File access level: Open | ||
51
total views0
total downloads0
views this month0
downloads this month
Export as
Related outputs
A Deeper Picture: A Realist Semiotics of Non-Fiction Film
Bosward, M. 2023. A Deeper Picture: A Realist Semiotics of Non-Fiction Film . International Association of Critical Realism Conference, Manila .Archive Film Collage and the Mediation of Marginalised Places
Bosward, M. 2023. Archive Film Collage and the Mediation of Marginalised Places. British Academy: Culture and Heritage in the Digital Age. British Academy.Outer Worlds: Mediated Aesthetics and Alethic Truth
Bosward, M. 2022. Outer Worlds: Mediated Aesthetics and Alethic Truth . Society for Animation Studies Annual Conference, 26 June - 3 July 2022, Teeside University .Picking up the Pieces: Archive Film and the Unseen Past
Bosward, M. 2022. Picking up the Pieces: Archive Film and the Unseen Past . Shadow screens: unmade, unseen, unreleased film and television. Sheffield Hallam University .Dark Fringes: Complexity and Emergence in Realist Collage
Bosward, Marc 2019. Dark Fringes: Complexity and Emergence in Realist Collage.Layered Realities and the Narration of History
Bosward, Marc 2020. Layered Realities and the Narration of History. in: Cambridge Scholars Publishing.Social Software: Archives, The Digital and Radical Histories
Bosward, Marc 2019. Social Software: Archives, The Digital and Radical Histories.Wales on Film: Memory, Identity, Politics
Bosward, Marc 2019. Wales on Film: Memory, Identity, Politics.Caennenau
Bosward, Marc 2019. Caennenau.Layered Realities and the Narration of History
Marc, Bosward 2019. Layered Realities and the Narration of History. QUAD/ FORMAT.Stratified realities: convergence and mediation in non-fiction collage film.
Bosward, Marc 2018. Stratified realities: convergence and mediation in non-fiction collage film.Finding lines
Shore, Tim 2017. Finding lines.Layers, traces and gaps: Collage, found footage and the contested past
Bosward, Marc 2017. Layers, traces and gaps: Collage, found footage and the contested past.Fractured pasts: Found footage collage and the animated documentary
Bosward, Marc 2017. Fractured pasts: Found footage collage and the animated documentary.Thirteen
Shore, Tim and Brown, Michael 2016. Thirteen.A collection of ten illustrations covering a variety of themes
McNaney, Nicky, Levesley, Richard and Poynton, Stuart 2014. A collection of ten illustrations covering a variety of themes.The Mountain of dead selves
Poynton, Stuart and Bradburn, John 2016. The Mountain of dead selves.Manifest destiny, violence and transcendence
Bosward, Marc 2011. Manifest destiny, violence and transcendence.Manifest destiny, violence and transcendence – an artist’s statement
Bosward, Marc 2012. Manifest destiny, violence and transcendence – an artist’s statement. in: University of Salford Press.Illustrated worlds, virtual environments and authorial voice
Bosward, Marc and Levesley, Richard 2013. Illustrated worlds, virtual environments and authorial voice.Illustrated worlds
Bosward, Marc and Levesley, Richard 2013. Illustrated worlds. VaroomLab Journal.Designing a new documentary landscape: A renegotiation of documentary voice through animated collage
Bosward, Marc and Bevan, Greg 2013. Designing a new documentary landscape: A renegotiation of documentary voice through animated collage. Scene. https://doi.org/10.1386/scene.1.3.443_1'Reality fragments' - Found footage, video collage and non-fiction
Bosward, Marc 2015. 'Reality fragments' - Found footage, video collage and non-fiction.‘The Found Footage Composite: History, Hybridity and the Animated World’
Bosward, Marc 2016. ‘The Found Footage Composite: History, Hybridity and the Animated World’.A Mixed History: Colliding Realities and the Hybrid Aesthetic
Bosward, Marc 2016. A Mixed History: Colliding Realities and the Hybrid Aesthetic.Life Goes On
Bosward, Marc 2016. Life Goes On.Layers of meaning, layers of truth: fragmented histories and composited video collage
Bosward, Marc 2016. Layers of meaning, layers of truth: fragmented histories and composited video collage.'I Speak about Myself to You' – Renegotiating the Voice of Documentary through Animation Aesthetics
Bosward, Marc and Bevan, Greg 2011. 'I Speak about Myself to You' – Renegotiating the Voice of Documentary through Animation Aesthetics. The Higher Education Academy.Printing Animation: a conference paper delivered for the Creative Animation Knowledge Exchange (CAKE), Edge Hill University
Shore, Tim 2014. Printing Animation: a conference paper delivered for the Creative Animation Knowledge Exchange (CAKE), Edge Hill University.From Pillar to Post (and back again): animation projection mapped onto the basement pillars of Strutt’s North Mill, Belper for a Museums at Night Event.
Shore, Tim, Bosward, Marc, Mellor, Shane and Poynton, Stuart 2014. From Pillar to Post (and back again): animation projection mapped onto the basement pillars of Strutt’s North Mill, Belper for a Museums at Night Event.Place Setting: an art installation (comprising 22 China cups, 22 Tesco Toilet Tissue cardboard cores, some IKEA cardboard packaging) for the group exhibition ‘The Most Beautiful Things Cannot Be Seen’
Shore, Tim 2014. Place Setting: an art installation (comprising 22 China cups, 22 Tesco Toilet Tissue cardboard cores, some IKEA cardboard packaging) for the group exhibition ‘The Most Beautiful Things Cannot Be Seen’.An action repeated: a conference paper delivered for the Format International Photography Festival Film & Photography Conference 2015
Shore, Tim 2015. An action repeated: a conference paper delivered for the Format International Photography Festival Film & Photography Conference 2015.Luddite Drawings: a series of drawings (3) that explore process, performance and gesture, selected for the group exhibition ‘From Here & There: drawings from Colorado and Wales.
Shore, Tim 2014. Luddite Drawings: a series of drawings (3) that explore process, performance and gesture, selected for the group exhibition ‘From Here & There: drawings from Colorado and Wales.Rebirth: a light and sound show. Animation projection mapped onto the windows of Strutt’s North Mill
Shore, Tim, Bosward, Marc and Poynton, Stuart 2014. Rebirth: a light and sound show. Animation projection mapped onto the windows of Strutt’s North Mill.BlindSpot: a site-specific film installation at the Workhouse, Southwell (National Trust) for New Expressions 3 (New Opportunities Award)
Shore, Tim 2015. BlindSpot: a site-specific film installation at the Workhouse, Southwell (National Trust) for New Expressions 3 (New Opportunities Award).A history
Shore, Tim and Jennings, Humphrey 2015. A history.Black libraries
Poynton, Stuart 2015. Black libraries.From pillar to post
Bosward, Marc, Shore, Tim and Poynton, Stuart 2014. From pillar to post.