Thirteen

Digital or visual media


Shore, Tim and Brown, Michael 2016. Thirteen.
CreatorsShore, Tim and Brown, Michael
Description

Thirteen interrogates the history and significance of 27/28 Queen Street, Derby, a now derelict building that was once the home of John Flamsteed (1646-1719), the first Astronomer Royal. A series of works, including a digital animation, gifs, digital prints and an artist’s book. The work will be exhibited at the Wirksworth Festival 2016 and also at Derby Cathedral. The publication will include commissioned essays that consider the themes of Thirteen from range of disciplines, it will be published by QUAD. Before moving south to Greenwich in 1675, Flamsteed compiled a ‘great catalogue of the stars’ from a series of observations all based on a Derby Meridian that ran through the back garden of his Derby home. The place from where the position of every other place – on Earth, and in the Heavens - was determined was in his back garden in Derby. Thirteen considers the resonance of Derby having shifted from being the centre or beginning of the world, to being 5 minutes 54.6 seconds behind. Thirteen was commissioned by D-LAB Digital Art in Derbyshire and supported by a University of Derby College of Arts Research grant. Digital animation by Tim Shore. Sound by Michael Brown.

Thirteen interrogates the history and significance of 27/28 Queen Street, Derby, a now derelict building that was once the home of John Flamsteed (1646-1719), the first Astronomer Royal.
A series of works, including a digital animation, gifs, digital prints and an artist’s book. The work will be exhibited at the Wirksworth Festival 2016 and also at Derby Cathedral. The publication will include commissioned essays that consider the themes of Thirteen from range of disciplines, it will be published by QUAD.
Before moving south to Greenwich in 1675, Flamsteed compiled a ‘great catalogue of the stars’ from a series of observations all based on a Derby Meridian that ran through the back garden of his Derby home. The place from where the position of every other place – on Earth, and in the Heavens - was determined was in his back garden in Derby. Thirteen considers the resonance of Derby having shifted from being the centre or beginning of the world, to being 5 minutes 54.6 seconds behind.
Thirteen was commissioned by D-LAB Digital Art in Derbyshire and supported by a University of Derby College of Arts Research grant. Digital animation by Tim Shore. Sound by Michael Brown.

ContributorsUniversity of Derby
KeywordsAnimation; Time; John Flamsteed; 27/28 Queen Street, Derby
Date2016
Web address (URL)http://hdl.handle.net/10545/620557
hdl:10545/620557
Publication process dates
Deposited12 Oct 2016, 14:22
Publication dates10 Sep 2016
File
File Access Level
Open
File
File Access Level
Open
Permalink -

https://repository.derby.ac.uk/item/93z97/thirteen

Download files

  • 58
    total views
  • 11
    total downloads
  • 2
    views this month
  • 0
    downloads this month

Export as

Related outputs

Finding lines
Shore, Tim 2017. Finding lines.
Time tides: An exploration of dynamic loop-based performance diffused in a multi-channel environment.
Vandemast-Bell, Paul and Brown, Michael 2017. Time tides: An exploration of dynamic loop-based performance diffused in a multi-channel environment.
Immersive deconstruction: An exploration of dynamic loop-based performance diffused in a multi-channel environment.
Vandemast-Bell, Paul and Brown, Michael 2017. Immersive deconstruction: An exploration of dynamic loop-based performance diffused in a multi-channel environment.
Auralising the sublime: An investigation into creativity and process in the pursuit of sonic perfection.
Brown, Michael, Paterson, David M. and Wilson, Chris 2017. Auralising the sublime: An investigation into creativity and process in the pursuit of sonic perfection. KIE Conference Publications.
Destroying creativity
Lennox, Peter, Wilson, Chris and Brown, Michael 2016. Destroying creativity.
Dynamic loops and processing
Vandemast-Bell, Paul and Brown, Michael 2016. Dynamic loops and processing.
How to develop creative capacity for the fourth industrial revolution: Creativity and employability in higher education
Wilson, Chris, Lennox, Peter, Brown, Michael and Hughes, G. 2017. How to develop creative capacity for the fourth industrial revolution: Creativity and employability in higher education. Knowledge, Innovation & Enterprise.
Feel it in my bones: Composing multimodal experience through tissue conduction
Lennox, Peter, McKenzie, I. and Brown, Michael 2017. Feel it in my bones: Composing multimodal experience through tissue conduction. Les éditions de PRISM.
The body as instrument: tissue conducted multimodal audio-tactile spatial music.
Lennox, Peter, McKenzie, I. and Brown, Michael 2017. The body as instrument: tissue conducted multimodal audio-tactile spatial music.
Printing Animation: a conference paper delivered for the Creative Animation Knowledge Exchange (CAKE), Edge Hill University
Shore, Tim 2014. Printing Animation: a conference paper delivered for the Creative Animation Knowledge Exchange (CAKE), Edge Hill University.
From Pillar to Post (and back again): animation projection mapped onto the basement pillars of Strutt’s North Mill, Belper for a Museums at Night Event.
Shore, Tim, Bosward, Marc, Mellor, Shane and Poynton, Stuart 2014. From Pillar to Post (and back again): animation projection mapped onto the basement pillars of Strutt’s North Mill, Belper for a Museums at Night Event.
Place Setting: an art installation (comprising 22 China cups, 22 Tesco Toilet Tissue cardboard cores, some IKEA cardboard packaging) for the group exhibition ‘The Most Beautiful Things Cannot Be Seen’
Shore, Tim 2014. Place Setting: an art installation (comprising 22 China cups, 22 Tesco Toilet Tissue cardboard cores, some IKEA cardboard packaging) for the group exhibition ‘The Most Beautiful Things Cannot Be Seen’.
An action repeated: a conference paper delivered for the Format International Photography Festival Film & Photography Conference 2015
Shore, Tim 2015. An action repeated: a conference paper delivered for the Format International Photography Festival Film & Photography Conference 2015.
Luddite Drawings: a series of drawings (3) that explore process, performance and gesture, selected for the group exhibition ‘From Here & There: drawings from Colorado and Wales.
Shore, Tim 2014. Luddite Drawings: a series of drawings (3) that explore process, performance and gesture, selected for the group exhibition ‘From Here & There: drawings from Colorado and Wales.
Rebirth: a light and sound show. Animation projection mapped onto the windows of Strutt’s North Mill
Shore, Tim, Bosward, Marc and Poynton, Stuart 2014. Rebirth: a light and sound show. Animation projection mapped onto the windows of Strutt’s North Mill.
BlindSpot: a site-specific film installation at the Workhouse, Southwell (National Trust) for New Expressions 3 (New Opportunities Award)
Shore, Tim 2015. BlindSpot: a site-specific film installation at the Workhouse, Southwell (National Trust) for New Expressions 3 (New Opportunities Award).
A history
Shore, Tim and Jennings, Humphrey 2015. A history.
From pillar to post
Bosward, Marc, Shore, Tim and Poynton, Stuart 2014. From pillar to post.
Forge
Bosward, Marc, Shore, Tim and Poynton, Stuart 2014. Forge.
The shape of my thoughts
Baggaley, Phil, Brown, Michael, Bosward, Marc, Poynton, Stuart and Thorpe, Hayley 2016. The shape of my thoughts.
Creative inhibition: how and why
Lennox, Peter, Brown, Michael and Wilson, Chris 2016. Creative inhibition: how and why. in: KIE Conference Publications.
Staying creative: creative technique, habit and experience
Wilson, Chris and Brown, Michael 2016. Staying creative: creative technique, habit and experience. in: KIE Conference Publications.
A cage for the muse and the limits of invention
Brown, Michael and Wilson, Chris 2016. A cage for the muse and the limits of invention. in: KIE Conference Publications.
Making projects sing: a musical perspective of project management
Wilson, Chris, Sivaraman, R, Brown, Michael and McCormack, Danny 2016. Making projects sing: a musical perspective of project management. Business Expert Press.
Conformity, deformity and reformity
Brown, Michael and Wilson, Chris 2015. Conformity, deformity and reformity. West East Institute.
Creative dynamics: artistic production as a model of creative interaction
Brown, Michael and Wilson, Chris 2014. Creative dynamics: artistic production as a model of creative interaction. in: Knowledge, Innovation & Enterprise.
Ambiguity, uncertainty and new realities: perspectives of creative value, utility and authenticity
Wilson, Chris and Brown, Michael 2015. Ambiguity, uncertainty and new realities: perspectives of creative value, utility and authenticity. in: KIE, Knowledge, Innovation & Enterprise.
Creativity and authenticity: perspectives of creative value, utility and quality
Wilson, Chris and Brown, Michael 2015. Creativity and authenticity: perspectives of creative value, utility and quality. DAKAM - Eastern Mediterranean Academic Research Center.
Conformity, deformity and reformity
Brown, Michael and Wilson, Chris 2015. Conformity, deformity and reformity. in: Knowledge, Innovation & Enterprise.
The business of invention: considering project management in the arts and industry
Wilson, Chris and Brown, Michael 2013. The business of invention: considering project management in the arts and industry. in: Knowledge, Innovation & Enterprise.
Conformity, deformity, and reformity: considering the domain-idiolect creativity dynamic
Brown, Michael and Wilson, Chris 2015. Conformity, deformity, and reformity: considering the domain-idiolect creativity dynamic. in: KIE Conference Publications.
Ambiguity, uncertainty and new realities: perspectives of creative value, utility and authenticity
Wilson, Chris and Brown, Michael 2015. Ambiguity, uncertainty and new realities: perspectives of creative value, utility and authenticity. in: KIE Conference Publications.
Between possibilities and places: cognitive metaphor, creativity, art and education
Brown, Michael and Wilson, Chris 2013. Between possibilities and places: cognitive metaphor, creativity, art and education. in: KIE.
Extending realities: creativity, artistry and technology
Wilson, Chris and Brown, Michael 2013. Extending realities: creativity, artistry and technology. in: KIE.
Sound, space, image and music: hybridity in creative process through technology, interactivity and collaboration
Wilson, Chris and Brown, Michael 2012. Sound, space, image and music: hybridity in creative process through technology, interactivity and collaboration. Journal of Music, Technology and Education. https://doi.org/10.1386/jmte.5.1.89_1