Time tides: An exploration of dynamic loop-based performance diffused in a multi-channel environment.

Performance


Vandemast-Bell, Paul and Brown, Michael 2017. Time tides: An exploration of dynamic loop-based performance diffused in a multi-channel environment.
CreatorsVandemast-Bell, Paul and Brown, Michael
Description

This performance at Sounds in Space Symposium (University of Derby) by the audio-visual duo, Time.lus, explores (through live interaction) the dynamic dialogue between rhythmic, audio-visual materials in space. Original source material is presented then deconstructed and improvisationally reimagined in real-time, to create synchronous / asynchronous rhythms and textures. The work is evolved through the use of audio-visual effects and dynamic processors.

ContributorsUniversity of Derby
KeywordsLoop-based; Performance; Audio-Visual; Immersive; Electronic; Soundscape
Date2017
Web address (URL)http://hdl.handle.net/10545/622239
hdl:10545/622239
Publication process dates
Deposited10 Mar 2018, 11:20
Publication dates27 Jun 2017
File
File Access Level
Open
Permalink -

https://repository.derby.ac.uk/item/93373/time-tides-an-exploration-of-dynamic-loop-based-performance-diffused-in-a-multi-channel-environment

Download files

  • 10
    total views
  • 0
    total downloads
  • 0
    views this month
  • 0
    downloads this month

Export as

Related outputs

Perspectives on musical time in the development of performance systems for live electronic music.
Vandemast-Bell, Paul and Ferguson, John 2019. Perspectives on musical time in the development of performance systems for live electronic music. in: Routledge.
Perspectives on musical time and human/machine agency in the development of performance systems for live electronic music.
Vandemast-Bell, Paul and Ferguson, John 2017. Perspectives on musical time and human/machine agency in the development of performance systems for live electronic music.
Immersive deconstruction: An exploration of dynamic loop-based performance diffused in a multi-channel environment.
Vandemast-Bell, Paul and Brown, Michael 2017. Immersive deconstruction: An exploration of dynamic loop-based performance diffused in a multi-channel environment.
Auralising the sublime: An investigation into creativity and process in the pursuit of sonic perfection.
Brown, Michael, Paterson, David M. and Wilson, Chris 2017. Auralising the sublime: An investigation into creativity and process in the pursuit of sonic perfection. KIE Conference Publications.
Destroying creativity
Lennox, Peter, Wilson, Chris and Brown, Michael 2016. Destroying creativity.
Dynamic loops and processing
Vandemast-Bell, Paul and Brown, Michael 2016. Dynamic loops and processing.
How to develop creative capacity for the fourth industrial revolution: Creativity and employability in higher education
Wilson, Chris, Lennox, Peter, Brown, Michael and Hughes, G. 2017. How to develop creative capacity for the fourth industrial revolution: Creativity and employability in higher education. Knowledge, Innovation & Enterprise.
Feel it in my bones: Composing multimodal experience through tissue conduction
Lennox, Peter, McKenzie, I. and Brown, Michael 2017. Feel it in my bones: Composing multimodal experience through tissue conduction. Les ├ęditions de PRISM.
The body as instrument: tissue conducted multimodal audio-tactile spatial music.
Lennox, Peter, McKenzie, I. and Brown, Michael 2017. The body as instrument: tissue conducted multimodal audio-tactile spatial music.
3D EDM (Electronic Dance Music)
Vandemast-Bell, Paul 2016. 3D EDM (Electronic Dance Music).
Thirteen
Shore, Tim and Brown, Michael 2016. Thirteen.
Deformed Electronic Dance Music
Vandemast-Bell, Paul 2016. Deformed Electronic Dance Music.
The shape of my thoughts
Baggaley, Phil, Brown, Michael, Bosward, Marc, Poynton, Stuart and Thorpe, Hayley 2016. The shape of my thoughts.
Creative inhibition: how and why
Lennox, Peter, Brown, Michael and Wilson, Chris 2016. Creative inhibition: how and why. in: KIE Conference Publications.
Staying creative: creative technique, habit and experience
Wilson, Chris and Brown, Michael 2016. Staying creative: creative technique, habit and experience. in: KIE Conference Publications.
A cage for the muse and the limits of invention
Brown, Michael and Wilson, Chris 2016. A cage for the muse and the limits of invention. in: KIE Conference Publications.
Making projects sing: a musical perspective of project management
Wilson, Chris, Sivaraman, R, Brown, Michael and McCormack, Danny 2016. Making projects sing: a musical perspective of project management. Business Expert Press.
Seeking best practice for education and training in the recording studio
Vandemast-Bell, Paul, Werner, Duncan and Crossley, John 2015. Seeking best practice for education and training in the recording studio. Audio Engineering Society.
Conformity, deformity and reformity
Brown, Michael and Wilson, Chris 2015. Conformity, deformity and reformity. West East Institute.
Creative dynamics: artistic production as a model of creative interaction
Brown, Michael and Wilson, Chris 2014. Creative dynamics: artistic production as a model of creative interaction. in: Knowledge, Innovation & Enterprise.
Ambiguity, uncertainty and new realities: perspectives of creative value, utility and authenticity
Wilson, Chris and Brown, Michael 2015. Ambiguity, uncertainty and new realities: perspectives of creative value, utility and authenticity. in: KIE, Knowledge, Innovation & Enterprise.
Creativity and authenticity: perspectives of creative value, utility and quality
Wilson, Chris and Brown, Michael 2015. Creativity and authenticity: perspectives of creative value, utility and quality. DAKAM - Eastern Mediterranean Academic Research Center.
Conformity, deformity and reformity
Brown, Michael and Wilson, Chris 2015. Conformity, deformity and reformity. in: Knowledge, Innovation & Enterprise.
The business of invention: considering project management in the arts and industry
Wilson, Chris and Brown, Michael 2013. The business of invention: considering project management in the arts and industry. in: Knowledge, Innovation & Enterprise.
Conformity, deformity, and reformity: considering the domain-idiolect creativity dynamic
Brown, Michael and Wilson, Chris 2015. Conformity, deformity, and reformity: considering the domain-idiolect creativity dynamic. in: KIE Conference Publications.
Ambiguity, uncertainty and new realities: perspectives of creative value, utility and authenticity
Wilson, Chris and Brown, Michael 2015. Ambiguity, uncertainty and new realities: perspectives of creative value, utility and authenticity. in: KIE Conference Publications.
Rethinking live electronic music: a DJ perspective
Vandemast-Bell, Paul 2013. Rethinking live electronic music: a DJ perspective. Contemporary Music Review. https://doi.org/10.1080/07494467.2013.775817
Between possibilities and places: cognitive metaphor, creativity, art and education
Brown, Michael and Wilson, Chris 2013. Between possibilities and places: cognitive metaphor, creativity, art and education. in: KIE.
Extending realities: creativity, artistry and technology
Wilson, Chris and Brown, Michael 2013. Extending realities: creativity, artistry and technology. in: KIE.
Sound, space, image and music: hybridity in creative process through technology, interactivity and collaboration
Wilson, Chris and Brown, Michael 2012. Sound, space, image and music: hybridity in creative process through technology, interactivity and collaboration. Journal of Music, Technology and Education. https://doi.org/10.1386/jmte.5.1.89_1