Michael Brown
| Name | Michael Brown |
|---|---|
| Job title | Senior Lecturer in Performance |
| Research institute | College of Health and Humanities |
Research outputs
What Music they Make
Brown, M. and Randell, M. 2025. What Music they Make. Dracula Returns to Derby.We robot: artificial intelligence and the future of creativity
Brown, M. and Wilson, C. 2024. We robot: artificial intelligence and the future of creativity. in: Reisman, F. (ed.) Creativity, Motivation, Neuroscience, AI and their Future London: KIE Publications KIE, Knowledge, Innovation & Enterprise. pp. 100-119Audio artists assemble!: designing a creative pedagogic methodology that promotes collaboration and artistic cross- pollination
McMahon, D., Ribchester, C., Brown, M. and Randell, M. 2023. Audio artists assemble!: designing a creative pedagogic methodology that promotes collaboration and artistic cross- pollination. Makings - A Journal Researching the Creative Industries. 4 (1), pp. 1-17.“When the boys come home”: an authentic and interdisciplinary audio drama production
Brown, M., McMahon, D., Ribchester, C., Randell, M. and Baggaley, P. 2022. “When the boys come home”: an authentic and interdisciplinary audio drama production. in: Sengupta, E. and Blessinger, P. (ed.) Changing the Conventional University Classroom London, UK. Emerald Group Publishing Limited. pp. 99-115How to develop creative capacity for the fourth industrial revolution: Creativity and employability in higher education
Wilson, C., Lennox, P., Brown, M. and Hughes, G. 2017. How to develop creative capacity for the fourth industrial revolution: Creativity and employability in higher education. Knowledge, Innovation & Enterprise.Auralising the sublime: An investigation into creativity and process in the pursuit of sonic perfection.
Brown, M., Paterson, D. M. and Wilson, C. 2017. Auralising the sublime: An investigation into creativity and process in the pursuit of sonic perfection. KIE Conference Publications.Feel it in my bones: Composing multimodal experience through tissue conduction
Lennox, P., McKenzie, I. and Brown, M. 2017. Feel it in my bones: Composing multimodal experience through tissue conduction. Les éditions de PRISM.The body as instrument: tissue conducted multimodal audio-tactile spatial music.
Lennox, P., McKenzie, I. and Brown, M. 2017. The body as instrument: tissue conducted multimodal audio-tactile spatial music.Time tides: An exploration of dynamic loop-based performance diffused in a multi-channel environment.
Vandemast-Bell, P. and Brown, M. 2017. Time tides: An exploration of dynamic loop-based performance diffused in a multi-channel environment.Immersive deconstruction: An exploration of dynamic loop-based performance diffused in a multi-channel environment.
Vandemast-Bell, P. and Brown, M. 2017. Immersive deconstruction: An exploration of dynamic loop-based performance diffused in a multi-channel environment.Dynamic loops and processing
Vandemast-Bell, P. and Brown, M. 2016. Dynamic loops and processing.Thirteen
Shore, T. and Brown, M. 2016. Thirteen.Destroying creativity
Lennox, P., Wilson, C. and Brown, M. 2016. Destroying creativity.The shape of my thoughts
Baggaley, P., Brown, M., Bosward, M., Poynton, S. and Thorpe, H. 2016. The shape of my thoughts.Creative inhibition: how and why
Lennox, P., Brown, M. and Wilson, C. 2016. Creative inhibition: how and why. in: KIE Conference Publications.Making projects sing: a musical perspective of project management
Wilson, C., Sivaraman, R, Brown, M. and McCormack, D. 2016. Making projects sing: a musical perspective of project management. Business Expert Press.Staying creative: creative technique, habit and experience
Wilson, C. and Brown, M. 2016. Staying creative: creative technique, habit and experience. in: KIE Conference Publications.A cage for the muse and the limits of invention
Brown, M. and Wilson, C. 2016. A cage for the muse and the limits of invention. in: KIE Conference Publications.Ambiguity, uncertainty and new realities: perspectives of creative value, utility and authenticity
Wilson, C. and Brown, M. 2015. Ambiguity, uncertainty and new realities: perspectives of creative value, utility and authenticity. in: KIE Conference Publications.Conformity, deformity, and reformity: considering the domain-idiolect creativity dynamic
Brown, M. and Wilson, C. 2015. Conformity, deformity, and reformity: considering the domain-idiolect creativity dynamic. in: KIE Conference Publications.Conformity, deformity and reformity
Brown, M. and Wilson, C. 2015. Conformity, deformity and reformity. in: Knowledge, Innovation & Enterprise.Conformity, deformity and reformity
Brown, M. and Wilson, C. 2015. Conformity, deformity and reformity. West East Institute.Creativity and authenticity: perspectives of creative value, utility and quality
Wilson, C. and Brown, M. 2015. Creativity and authenticity: perspectives of creative value, utility and quality. DAKAM - Eastern Mediterranean Academic Research Center.Ambiguity, uncertainty and new realities: perspectives of creative value, utility and authenticity
Wilson, C. and Brown, M. 2015. Ambiguity, uncertainty and new realities: perspectives of creative value, utility and authenticity. in: KIE, Knowledge, Innovation & Enterprise.Creative dynamics: artistic production as a model of creative interaction
Brown, M. and Wilson, C. 2014. Creative dynamics: artistic production as a model of creative interaction. in: Knowledge, Innovation & Enterprise.Extending realities: creativity, artistry and technology
Wilson, C. and Brown, M. 2013. Extending realities: creativity, artistry and technology. in: KIE.Between possibilities and places: cognitive metaphor, creativity, art and education
Brown, M. and Wilson, C. 2013. Between possibilities and places: cognitive metaphor, creativity, art and education. in: KIE.The business of invention: considering project management in the arts and industry
Wilson, C. and Brown, M. 2013. The business of invention: considering project management in the arts and industry. in: Knowledge, Innovation & Enterprise.Sound, space, image and music: hybridity in creative process through technology, interactivity and collaboration
Wilson, C. and Brown, M. 2012. Sound, space, image and music: hybridity in creative process through technology, interactivity and collaboration. Journal of Music, Technology and Education. https://doi.org/10.1386/jmte.5.1.89_11100
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