Staying creative: creative technique, habit and experience

Book chapter


Wilson, C. and Brown, M. 2016. Staying creative: creative technique, habit and experience. in: KIE Conference Publications.
AuthorsWilson, C. and Brown, M.
Abstract

This chapter focuses analysis on a practice-based research project exploring personal creativity in musical composition. Seeking simply to explore the process and experience of creative routines in a more focused way―most specifically through imposed constraints of discipline, productive time and working materials―the project developed in unexpected ways and the focused act of observation itself led to the development of unanticipated insights. Initial assumptions being that: 1) The right balance of challenge/constraint and creative context can stimulate creative fluency and flow, and; 2) The wrong balance of challenge/constraint and creative context can inhibit creativity, the subtle variations of experience and the delicate structures involved in framing ‘creative balance’ in the composition process developed insights into the relationship between creative boundaries, activities, and creative identity. Creative fluency and creative quality can, and routinely does, emerge from difficult and constrained creative conditions. This text presents a personal insight into the creative experience of working through a defined programme of compositional activity, deliberately designed to test and to challenge, and how the same parameters of creative activity can frame everything from the most positive and affirming of musical activity, to the most desperate and distressing. It is through both pain and pleasure that creative value can emerge.

This chapter focuses analysis on a practice-based research project exploring personal creativity in musical composition. Seeking simply to explore the process and experience of creative routines in a more focused way―most specifically through imposed constraints of discipline, productive time and working materials―the project developed in unexpected ways and the focused act of observation itself led to the development of unanticipated insights.
Initial assumptions being that: 1) The right balance of challenge/constraint and creative context can stimulate creative fluency and flow, and; 2) The wrong balance of challenge/constraint and creative context can inhibit creativity, the subtle variations of experience and the delicate structures involved in framing ‘creative balance’ in the composition process developed insights into the relationship between creative boundaries, activities, and creative identity.
Creative fluency and creative quality can, and routinely does, emerge from difficult and constrained creative conditions. This text presents a personal insight into the creative experience of working through a defined programme of compositional activity, deliberately designed to test and to challenge, and how the same parameters of creative activity can frame everything from the most positive and affirming of musical activity, to the most desperate and distressing. It is through both pain and pleasure that creative value can emerge.

KeywordsCreativity; Education; Discipline
Year2016
PublisherKIE Conference Publications
ISBN978-1-85924-276-6
Web address (URL)http://hdl.handle.net/10545/618561
http://creativecommons.org/licenses/by-nd/4.0/
hdl:10545/618561
File
File Access Level
Open
File
File Access Level
Open
File
File Access Level
Open
Publication dates2016
Publication process dates
Deposited19 Aug 2016, 11:19
ContributorsUniversity of Derby
JournalCreativity in Arts, Science and Technology
Permalink -

https://repository.derby.ac.uk/item/932yq/staying-creative-creative-technique-habit-and-experience

Download files


File
license_url
File access level: Open

license.txt
File access level: Open

  • 135
    total views
  • 67
    total downloads
  • 4
    views this month
  • 3
    downloads this month

Export as

Related outputs

What Music they Make
Brown, M. and Randell, M. 2025. What Music they Make. Dracula Returns to Derby.
We robot: artificial intelligence and the future of creativity
Brown, M. and Wilson, C. 2024. We robot: artificial intelligence and the future of creativity. in: Reisman, F. (ed.) Creativity, Motivation, Neuroscience, AI and their Future London: KIE Publications KIE, Knowledge, Innovation & Enterprise. pp. 100-119
Audio artists assemble!: designing a creative pedagogic methodology that promotes collaboration and artistic cross- pollination
McMahon, D., Ribchester, C., Brown, M. and Randell, M. 2023. Audio artists assemble!: designing a creative pedagogic methodology that promotes collaboration and artistic cross- pollination. Makings - A Journal Researching the Creative Industries. 4 (1), pp. 1-17.
“When the boys come home”: an authentic and interdisciplinary audio drama production
Brown, M., McMahon, D., Ribchester, C., Randell, M. and Baggaley, P. 2022. “When the boys come home”: an authentic and interdisciplinary audio drama production. in: Sengupta, E. and Blessinger, P. (ed.) Changing the Conventional University Classroom London, UK. Emerald Group Publishing Limited. pp. 99-115
How to develop creative capacity for the fourth industrial revolution: Creativity and employability in higher education
Wilson, C., Lennox, P., Brown, M. and Hughes, G. 2017. How to develop creative capacity for the fourth industrial revolution: Creativity and employability in higher education. Knowledge, Innovation & Enterprise.
Feel it in my bones: Composing multimodal experience through tissue conduction
Lennox, P., McKenzie, I. and Brown, M. 2017. Feel it in my bones: Composing multimodal experience through tissue conduction. Les éditions de PRISM.
The body as instrument: tissue conducted multimodal audio-tactile spatial music.
Lennox, P., McKenzie, I. and Brown, M. 2017. The body as instrument: tissue conducted multimodal audio-tactile spatial music.
Auralising the sublime: An investigation into creativity and process in the pursuit of sonic perfection.
Brown, M., Paterson, D. M. and Wilson, C. 2017. Auralising the sublime: An investigation into creativity and process in the pursuit of sonic perfection. KIE Conference Publications.
Immersive deconstruction: An exploration of dynamic loop-based performance diffused in a multi-channel environment.
Vandemast-Bell, P. and Brown, M. 2017. Immersive deconstruction: An exploration of dynamic loop-based performance diffused in a multi-channel environment.
Time tides: An exploration of dynamic loop-based performance diffused in a multi-channel environment.
Vandemast-Bell, P. and Brown, M. 2017. Time tides: An exploration of dynamic loop-based performance diffused in a multi-channel environment.
Creative inhibition: how and why
Lennox, P., Brown, M. and Wilson, C. 2016. Creative inhibition: how and why. in: KIE Conference Publications.
Dynamic loops and processing
Vandemast-Bell, P. and Brown, M. 2016. Dynamic loops and processing.
Thirteen
Shore, T. and Brown, M. 2016. Thirteen.
Making projects sing: a musical perspective of project management
Wilson, C., Sivaraman, R, Brown, M. and McCormack, D. 2016. Making projects sing: a musical perspective of project management. Business Expert Press.
A cage for the muse and the limits of invention
Brown, M. and Wilson, C. 2016. A cage for the muse and the limits of invention. in: KIE Conference Publications.
The shape of my thoughts
Baggaley, P., Brown, M., Bosward, M., Poynton, S. and Thorpe, H. 2016. The shape of my thoughts.
Destroying creativity
Lennox, P., Wilson, C. and Brown, M. 2016. Destroying creativity.
Ambiguity, uncertainty and new realities: perspectives of creative value, utility and authenticity
Wilson, C. and Brown, M. 2015. Ambiguity, uncertainty and new realities: perspectives of creative value, utility and authenticity. in: KIE Conference Publications.
Conformity, deformity and reformity
Brown, M. and Wilson, C. 2015. Conformity, deformity and reformity. in: Knowledge, Innovation & Enterprise.
Conformity, deformity, and reformity: considering the domain-idiolect creativity dynamic
Brown, M. and Wilson, C. 2015. Conformity, deformity, and reformity: considering the domain-idiolect creativity dynamic. in: KIE Conference Publications.
Conformity, deformity and reformity
Brown, M. and Wilson, C. 2015. Conformity, deformity and reformity. West East Institute.
Creativity and authenticity: perspectives of creative value, utility and quality
Wilson, C. and Brown, M. 2015. Creativity and authenticity: perspectives of creative value, utility and quality. DAKAM - Eastern Mediterranean Academic Research Center.
Ambiguity, uncertainty and new realities: perspectives of creative value, utility and authenticity
Wilson, C. and Brown, M. 2015. Ambiguity, uncertainty and new realities: perspectives of creative value, utility and authenticity. in: KIE, Knowledge, Innovation & Enterprise.
Creative dynamics: artistic production as a model of creative interaction
Brown, M. and Wilson, C. 2014. Creative dynamics: artistic production as a model of creative interaction. in: Knowledge, Innovation & Enterprise.
Extending realities: creativity, artistry and technology
Wilson, C. and Brown, M. 2013. Extending realities: creativity, artistry and technology. in: KIE.
Between possibilities and places: cognitive metaphor, creativity, art and education
Brown, M. and Wilson, C. 2013. Between possibilities and places: cognitive metaphor, creativity, art and education. in: KIE.
The business of invention: considering project management in the arts and industry
Wilson, C. and Brown, M. 2013. The business of invention: considering project management in the arts and industry. in: Knowledge, Innovation & Enterprise.
Sound, space, image and music: hybridity in creative process through technology, interactivity and collaboration
Wilson, C. and Brown, M. 2012. Sound, space, image and music: hybridity in creative process through technology, interactivity and collaboration. Journal of Music, Technology and Education. https://doi.org/10.1386/jmte.5.1.89_1