Narratives of Institutional Racism and Social Critique in Contemporary UK Television Drama

Book chapter


Forde, Teresa 2021. Narratives of Institutional Racism and Social Critique in Contemporary UK Television Drama. in: Routledge.
AuthorsForde, Teresa
Abstract

This chapter explores the ways in which British television offers an opportunity for dialogue regarding critical pedagogy and critical race theory (CRT). The focus on critical pedagogy emerges from working within Higher Education and considering the changes and challenges to curriculum development. The focus of the chapter is on the ways in which CRT can be explored in terms of teaching television studies and the extent to which these fissures are explored and deconstructed via critical pedagogy. It also reflects upon the purpose of studying television as representative of popular culture and the role of public service broadcasting in establishing and circulating social discourse. According to Gale and Thomas, ‘Above all, CRT encourages analysts to take seriously the proposition that the recurrent failure of public institutions to respond to the needs of racialized minorities is a result of the deep fissures of entrenched racial power within society’ (2017, p. 473).

KeywordsBritish television; Critical pedagogy; Critical race theory; Higher education; Popular culture
Year2021
PublisherRoutledge
ISBN9781003222835
Web address (URL)https://www.routledge.com/Critical-Pedagogy-Race-and-Media-Diversity-and-Inclusion-in-Higher-Education/Flynn-Marotta/p/book/9781003222835
hdl:10545/626257
File
File Access Level
Open
File
Output statusPublished
Publication dates30 Dec 2021
Publication process dates
Deposited27 Jan 2022, 10:42
Accepted2021
ContributorsUniversity of Derby
Permalink -

https://repository.derby.ac.uk/item/9374v/narratives-of-institutional-racism-and-social-critique-in-contemporary-uk-television-drama

Download files

  • 71
    total views
  • 19
    total downloads
  • 1
    views this month
  • 1
    downloads this month

Export as

Related outputs

Perceptions of 'Prague': Film and Fantasy In The Unbearable Lightness Of Being, Daisies and The Grand Budapest Hotel
Forde, T. 2023. Perceptions of 'Prague': Film and Fantasy In The Unbearable Lightness Of Being, Daisies and The Grand Budapest Hotel. Architecture, Media, Politics, Society (AMPS): Heritages Past and Present – Built and Social, Czech Technical University, Prague . Architecture, Media, Politics, Society (AMPS).
'Star Trek: Discovery and Controversy: The War Without, The War Within’,
Forde, T. 2022. 'Star Trek: Discovery and Controversy: The War Without, The War Within’, . in: McNally, K. (ed.) American Television During an American Presidency Detroit Wayne State University Press.
Co-curation as feminist practice: exhibiting the work of Marion Adnams
Forde, T. 2021. Co-curation as feminist practice: exhibiting the work of Marion Adnams. Journal of Visual Arts Practice. 20 (1-2), pp. 97-112. https://doi.org/10.1080/14702029.2021.1925852
Marion Adnams and the Margins of Surrealism
Forde, T. 2021. Marion Adnams and the Margins of Surrealism.
The Marion Adnams project
Forde, T. 2020. The Marion Adnams project. Derby City Council.
Finding the artist: The role of the feminist detective
Forde, T. 2020. Finding the artist: The role of the feminist detective. MAI: COVID-19 Crisis-Connection-Culture.
The legacy of Mad Men: cultural history, intermediality and American television
McNally, K, Forde, T., Marcellus, J and Fairclough, K 2019. The legacy of Mad Men: cultural history, intermediality and American television. Palgrave Macmillan.
Afterword: Reading mad men in the era of Trump
Forde, T. and McNally, Karen 2019. Afterword: Reading mad men in the era of Trump. in: Palgrave Macmillan.
Olivia Dunham and the new frontier in fringe
Forde, T. 2019. Olivia Dunham and the new frontier in fringe. in: McFarland.
Defining the female artist: Marion Adnams and surrealism
Forde, T. 2018. Defining the female artist: Marion Adnams and surrealism.
Entries on the L word and true blood
Forde, T. 2018. Entries on the L word and true blood. in: Syracuse University Press..
Découverte de l’artiste’ (discovering the artist): Finding Marion Adnams through her work with a focus on ‘Infante égarée
Forde, T. 2018. Découverte de l’artiste’ (discovering the artist): Finding Marion Adnams through her work with a focus on ‘Infante égarée.
Marion Adnams: A singular woman
Forde, T., Wood, Val and Bamford, Lucy 2017. Marion Adnams: A singular woman. Derby Museum and Art Gallery.
Rory Williams: The boy who waited
Forde, T. 2016. Rory Williams: The boy who waited. in: Leitch, G. and Ginn, S. (ed.) Who Travels with the Doctor? Essays on the Companions of Doctor Who McFarland Press.
You anorak: the Doctor Who experience and experiencing Doctor Who
Forde, T. 2013. You anorak: the Doctor Who experience and experiencing Doctor Who. in: Booth, P. (ed.) Fan Phenomena: Doctor Who Intellect.
Solaris - Lem/Tarkovsky/Soderbergh: adaptations in space
Forde, T. 2013. Solaris - Lem/Tarkovsky/Soderbergh: adaptations in space. in: Science Fiction across Media: Adaptation/Novelization Gylphi.
The Orrery/The Orrery: between image and object
Forde, T. 2012. The Orrery/The Orrery: between image and object.
Strange days: might as well face it you're addicted
Forde, T. 2012. Strange days: might as well face it you're addicted. in: Lee, J. (ed.) Cultures of Addiction Cambria Press.
The sunshine soundtrack as aural attraction
Forde, T. 2011. The sunshine soundtrack as aural attraction. New Review of Film and Television Studies. 9 (1), pp. 1-14. https://doi.org/10.1080/17400309.2011.521719
Television dramas as memory screens
Forde, T. 2011. Television dramas as memory screens. Image & Narrative.