Teresa Forde
| Name | Teresa Forde |
|---|---|
| Job title | Assistant Head of Discipline/Senior Lecturer in Media Studies |
| Research institute | College of Arts, Humanities and Education |
| ORCID | https://orcid.org/0000-0002-1890-4695 |
Research outputs
Perceptions of 'Prague': Film and Fantasy In The Unbearable Lightness Of Being, Daisies and The Grand Budapest Hotel
Forde, T. 2023. Perceptions of 'Prague': Film and Fantasy In The Unbearable Lightness Of Being, Daisies and The Grand Budapest Hotel. Architecture, Media, Politics, Society (AMPS): Heritages Past and Present – Built and Social, Czech Technical University, Prague . Architecture, Media, Politics, Society (AMPS).'Star Trek: Discovery and Controversy: The War Without, The War Within’,
Forde, T. 2022. 'Star Trek: Discovery and Controversy: The War Without, The War Within’, . in: McNally, K. (ed.) American Television During an American Presidency Detroit Wayne State University Press.Narratives of Institutional Racism and Social Critique in Contemporary UK Television Drama
Forde, Teresa 2021. Narratives of Institutional Racism and Social Critique in Contemporary UK Television Drama. in: Routledge.Marion Adnams and the Margins of Surrealism
Forde, T. 2021. Marion Adnams and the Margins of Surrealism.Co-curation as feminist practice: exhibiting the work of Marion Adnams
Forde, T. 2021. Co-curation as feminist practice: exhibiting the work of Marion Adnams. Journal of Visual Arts Practice. 20 (1-2), pp. 97-112. https://doi.org/10.1080/14702029.2021.1925852Finding the artist: The role of the feminist detective
Forde, T. 2020. Finding the artist: The role of the feminist detective. MAI: COVID-19 Crisis-Connection-Culture.The Marion Adnams project
Forde, T. 2020. The Marion Adnams project. Derby City Council.The legacy of Mad Men: cultural history, intermediality and American television
McNally, K, Forde, T., Marcellus, J and Fairclough, K 2019. The legacy of Mad Men: cultural history, intermediality and American television. Palgrave Macmillan.Afterword: Reading mad men in the era of Trump
Forde, T. and McNally, Karen 2019. Afterword: Reading mad men in the era of Trump. in: Palgrave Macmillan.Olivia Dunham and the new frontier in fringe
Forde, T. 2019. Olivia Dunham and the new frontier in fringe. in: McFarland.Entries on the L word and true blood
Forde, T. 2018. Entries on the L word and true blood. in: Syracuse University Press..Defining the female artist: Marion Adnams and surrealism
Forde, T. 2018. Defining the female artist: Marion Adnams and surrealism.Découverte de l’artiste’ (discovering the artist): Finding Marion Adnams through her work with a focus on ‘Infante égarée
Forde, T. 2018. Découverte de l’artiste’ (discovering the artist): Finding Marion Adnams through her work with a focus on ‘Infante égarée.Marion Adnams: A singular woman
Forde, T., Wood, Val and Bamford, Lucy 2017. Marion Adnams: A singular woman. Derby Museum and Art Gallery.Rory Williams: The boy who waited
Forde, T. 2016. Rory Williams: The boy who waited. in: Leitch, G. and Ginn, S. (ed.) Who Travels with the Doctor? Essays on the Companions of Doctor Who McFarland Press.Solaris - Lem/Tarkovsky/Soderbergh: adaptations in space
Forde, T. 2013. Solaris - Lem/Tarkovsky/Soderbergh: adaptations in space. in: Science Fiction across Media: Adaptation/Novelization Gylphi.You anorak: the Doctor Who experience and experiencing Doctor Who
Forde, T. 2013. You anorak: the Doctor Who experience and experiencing Doctor Who. in: Booth, P. (ed.) Fan Phenomena: Doctor Who Intellect.Strange days: might as well face it you're addicted
Forde, T. 2012. Strange days: might as well face it you're addicted. in: Lee, J. (ed.) Cultures of Addiction Cambria Press.The Orrery/The Orrery: between image and object
Forde, T. 2012. The Orrery/The Orrery: between image and object.The sunshine soundtrack as aural attraction
Forde, T. 2011. The sunshine soundtrack as aural attraction. New Review of Film and Television Studies. 9 (1), pp. 1-14. https://doi.org/10.1080/17400309.2011.521719Television dramas as memory screens
Forde, T. 2011. Television dramas as memory screens. Image & Narrative.1112
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