Entries on the L word and true blood

Book chapter


Forde, T. 2018. Entries on the L word and true blood. in: Syracuse University Press..
AuthorsForde, T.
Abstract

Entires on the finales of television series: The L word and True Blood as part of a collection on finales.

KeywordsTelevision studies ; LGBTQ; Horror drama
Year2018
PublisherSyracuse University Press.
ISBN978-0-8156-3604-5
Web address (URL)http://hdl.handle.net/10545/623422
hdl:10545/623422
File
File Access Level
Open
Publication dates13 Nov 2018
Publication process dates
Deposited28 Jan 2019, 19:01
ContributorsUniversity of Derby
Permalink -

https://repository.derby.ac.uk/item/95048/entries-on-the-l-word-and-true-blood

Download files


File
license.txt
File access level: Open

  • 26
    total views
  • 0
    total downloads
  • 0
    views this month
  • 0
    downloads this month

Export as

Related outputs

Co-curation as feminist practice: exhibiting the work of Marion Adnams
Forde, T. 2021. Co-curation as feminist practice: exhibiting the work of Marion Adnams. Journal of Visual Arts Practice. 20 (1-2), pp. 97-112. https://doi.org/10.1080/14702029.2021.1925852
Narratives of Institutional Racism and Social Critique in Contemporary UK Television Drama
Forde, Teresa 2021. Narratives of Institutional Racism and Social Critique in Contemporary UK Television Drama. in: Routledge.
Marion Adnams and the Margins of Surrealism
Forde, T. 2021. Marion Adnams and the Margins of Surrealism.
The Marion Adnams project
Forde, T. 2020. The Marion Adnams project. Derby City Council.
Finding the artist: The role of the feminist detective
Forde, T. 2020. Finding the artist: The role of the feminist detective. MAI: COVID-19 Crisis-Connection-Culture.
The legacy of Mad Men: cultural history, intermediality and American television
McNally, K, Forde, T., Marcellus, J and Fairclough, K 2019. The legacy of Mad Men: cultural history, intermediality and American television. Palgrave Macmillan.
Afterword: Reading mad men in the era of Trump
Forde, T. and McNally, Karen 2019. Afterword: Reading mad men in the era of Trump. in: Palgrave Macmillan.
Olivia Dunham and the new frontier in fringe
Forde, T. 2019. Olivia Dunham and the new frontier in fringe. in: McFarland.
Defining the female artist: Marion Adnams and surrealism
Forde, T. 2018. Defining the female artist: Marion Adnams and surrealism.
Découverte de l’artiste’ (discovering the artist): Finding Marion Adnams through her work with a focus on ‘Infante égarée
Forde, T. 2018. Découverte de l’artiste’ (discovering the artist): Finding Marion Adnams through her work with a focus on ‘Infante égarée.
Marion Adnams: A singular woman
Forde, T., Wood, Val and Bamford, Lucy 2017. Marion Adnams: A singular woman. Derby Museum and Art Gallery.
Rory Williams: The boy who waited
Forde, T. 2016. Rory Williams: The boy who waited. in: Leitch, G. and Ginn, S. (ed.) Who Travels with the Doctor? Essays on the Companions of Doctor Who McFarland Press.
You anorak: the Doctor Who experience and experiencing Doctor Who
Forde, T. 2013. You anorak: the Doctor Who experience and experiencing Doctor Who. in: Booth, P. (ed.) Fan Phenomena: Doctor Who Intellect.
Solaris - Lem/Tarkovsky/Soderbergh: adaptations in space
Forde, T. 2013. Solaris - Lem/Tarkovsky/Soderbergh: adaptations in space. in: Science Fiction across Media: Adaptation/Novelization Gylphi.
The Orrery/The Orrery: between image and object
Forde, T. 2012. The Orrery/The Orrery: between image and object.
Strange days: might as well face it you're addicted
Forde, T. 2012. Strange days: might as well face it you're addicted. in: Lee, J. (ed.) Cultures of Addiction Cambria Press.
The sunshine soundtrack as aural attraction
Forde, T. 2011. The sunshine soundtrack as aural attraction. New Review of Film and Television Studies. 9 (1), pp. 1-14. https://doi.org/10.1080/17400309.2011.521719
Television dramas as memory screens
Forde, T. 2011. Television dramas as memory screens. Image & Narrative.