Analysis of binaural cue matching using ambisonics to binaural decoding techniques

Conference item


Wiggins, Bruce 2017. Analysis of binaural cue matching using ambisonics to binaural decoding techniques.
AuthorsWiggins, Bruce
Abstract

Last year Google enabled spatial audio in head-tracked 360 videos using Ambisonics to binaural decoding on Android mobile devices. There was some early criticism of the 1st order to binaural conversion employed by Google, in terms of the quality of localisation and noticeable frequency response colouration. In this paper, the algorithm used by Google is discussed and the Ambisonics to Binaural conversion using virtual speakers analysed with respect to the resulting inter-aural time, level, and spectrum differences compared to an example HRTF data set. 1st to 35th order Ambisonics using multiple virtual speaker arrays are implemented and analysed with inverse filtering techniques for smoothing the frequency spectrum also discussed demonstrating 8th order decoding correctly reproducing binaural cues up to 4 kHz.

Last year Google enabled spatial audio in head-tracked 360 videos using Ambisonics to binaural decoding on Android mobile devices. There was some early criticism of the 1st order to binaural conversion employed by Google, in terms of the quality of localisation and noticeable frequency response colouration. In this paper, the algorithm used by Google is discussed and the Ambisonics to Binaural conversion using virtual speakers analysed with respect to the resulting inter-aural time, level, and spectrum differences compared to an example HRTF data set. 1st to 35th order Ambisonics using multiple virtual speaker arrays are implemented and analysed with inverse filtering techniques for smoothing the frequency spectrum also discussed demonstrating 8th order decoding correctly reproducing binaural cues up to 4 kHz.

KeywordsAmbisonics; Binaural; Virtual Reality; Spherical Harmonics; Head-related transfer function (HRTF)
Year2017
Web address (URL)http://hdl.handle.net/10545/621858
http://creativecommons.org/licenses/by/4.0/
hdl:10545/621858
File
File Access Level
Open
File
File Access Level
Open
File
File Access Level
Open
Publication datesSep 2017
Publication process dates
Deposited22 Sep 2017, 10:23
ContributorsUniversity of Derby
Permalink -

https://repository.derby.ac.uk/item/93478/analysis-of-binaural-cue-matching-using-ambisonics-to-binaural-decoding-techniques

Download files

  • 275
    total views
  • 79
    total downloads
  • 11
    views this month
  • 7
    downloads this month

Export as

Related outputs

Browser-Based Webcam Head-Tracked Ambisonics (WHAM)
Dring, M. and Wiggins, B. 2023. Browser-Based Webcam Head-Tracked Ambisonics (WHAM). 2023 Immersive and 3D Audio: from Architecture to Automotive (I3DA). IEEE. https://doi.org/10.1109/I3DA57090.2023.10289143
Guitars with Ambisonic Spatial Performance (GASP) An immersive guitar system
Werner, D., Wiggins, B., Fitzmaurice, E. and Hart, M. 2022. Guitars with Ambisonic Spatial Performance (GASP) An immersive guitar system. 21st Century Guitar Conference .
Capsule Calibration Approaches for Low-Cost Higher Order Ambisonic Microphone Arrays
Middlicott, C. and Wiggins, B. 2022. Capsule Calibration Approaches for Low-Cost Higher Order Ambisonic Microphone Arrays. 153rd Audio Engineering Society Convention. Audio Engineering Society.
Development of an Ambisonic Guitar System
Wiggins, B., Werner, D. and Emma Fitzmaurice 2021. Development of an Ambisonic Guitar System. in: Innovation in Music London Taylor & Francis. pp. 21
WHAM: To Asymmetry and Beyond!
Dring, M. and Wiggins, Bruce 2021. WHAM: To Asymmetry and Beyond! Institute of Acoustics.
The design and optimisation of surround sound decoders using heuristic methods
Wiggins, Bruce, Berry, Stuart, Lowndes, Val and Paterson-Stephens, Iain 2003. The design and optimisation of surround sound decoders using heuristic methods.
Development of an ambisonic guitar system GASP: Guitars with ambisonic spatial performance
Werner, Duncan, Wiggins, Bruce and Fitzmaurice, Emma 2021. Development of an ambisonic guitar system GASP: Guitars with ambisonic spatial performance. in: CRC Press/ Routledge.
WHAM: Webcam head-tracked ambisonics
Dring, M. and Wiggins, B. 2020. WHAM: Webcam head-tracked ambisonics. Institute of Acoustics. https://doi.org/10.25144/13379
Calibration approaches for higher order ambisonic microphones
Middlicott, C.J., Wiggins, B.J. and Wiggins, B. 2019. Calibration approaches for higher order ambisonic microphones. Audio Engineering Society.
The transparency of binaural auralisation using very high order circular harmonics
Dring, M. and Wiggins, Bruce 2019. The transparency of binaural auralisation using very high order circular harmonics. Institute of Acoustics.
Development of ambisonic microphone design tools – Part 1.
Middlicott, Charlie and Wiggins, Bruce 2018. Development of ambisonic microphone design tools – Part 1. Audio Engineering Society.
Development of ambisonic microphone design tools - Part 1
Middlicott, C.J., Wiggins, B.J. and Wiggins, B. 2018. Development of ambisonic microphone design tools - Part 1. Audio Engineering Society.
Head tracked audio for all - the 3D audio VR revolution
Wiggins, Bruce 2016. Head tracked audio for all - the 3D audio VR revolution. Institute of Acoustics.
Modelling the performance of speaker arrays in domestic listening environments.
Dring, M., Middlicott, Charlie, Wiggins, Bruce and Vilkaitis, Alex 2017. Modelling the performance of speaker arrays in domestic listening environments. Institute of Acoustics.
GASP v2: Guitars with Ambisonic Spatial Performance
Werner, Duncan, Wiggins, Bruce, Box, Charlie, Dallali, Dominic, Hooley, Jack and Middlicott, Charlie 2016. GASP v2: Guitars with Ambisonic Spatial Performance.
AmbiFreeverb 2 - Development of a 3D ambisonic reverb with spatial warping and variable scattering
Wiggins, B. and Dring, M. 2016. AmbiFreeverb 2 - Development of a 3D ambisonic reverb with spatial warping and variable scattering. Audio Engineering Society.
Room acoustics and virtual reality: An implementation of auralisation and 360 degree image techniques to create virtual representations of spaces
Vilkaitis, A., Dring, M., Middlicott, C., Wiggins, B. and Hill, A.J. 2016. Room acoustics and virtual reality: An implementation of auralisation and 360 degree image techniques to create virtual representations of spaces. Institute of Acoustics.
GASP: Guitars with ambisonic spatial performance
Werner, Duncan, Wiggins, Bruce, Lawson, Tom, Weightman, Tom and Callister, Joe 2015. GASP: Guitars with ambisonic spatial performance.
Inside-outside: 3-D music through tissue conduction
McKenzie, I., Lennox, Peter and Wiggins, Bruce 2015. Inside-outside: 3-D music through tissue conduction.
Tissue-conducted spatial sound fields
McKenzie, I., Lennox, Peter and Wiggins, Bruce 2014. Tissue-conducted spatial sound fields. Institute of Acoustics.
Hearing Without Ears
McKenzie, I., Lennox, Peter and Wiggins, Bruce 2014. Hearing Without Ears. International Community for Auditory Display.
Validation of a quad-rotor helicopter matlab/simulink and solidworks models
Poyi, Gwangtim Timothy, Wu, Mian Hong, Bousbaine, Amar and Wiggins, Bruce 2013. Validation of a quad-rotor helicopter matlab/simulink and solidworks models.
The generation of panning laws for irregular speaker arrays using heuristic methods
Wiggins, Bruce 2007. The generation of panning laws for irregular speaker arrays using heuristic methods. Audio Engineering Society.
Distance coding and performance of the mark 5 and st350 SoundField microphones and their suitability for Ambisonic reproduction.
Wiggins, Bruce and Spenceley, Thomas 2009. Distance coding and performance of the mark 5 and st350 SoundField microphones and their suitability for Ambisonic reproduction. Proceeding of the Institute of Acoustics, Vol 31, Pt 4..
Has Ambisonics come of age?
Wiggins, Bruce 2008. Has Ambisonics come of age? Reproduced Sound 24 Conference Proceedings Vol 30. Pt 6.
An investigation into the real-time manipulation and control of three-dimensional sound fields
Wiggins, Bruce 2004. An investigation into the real-time manipulation and control of three-dimensional sound fields. PhD Thesis https://doi.org/10.48773/93q0q