Development of an Ambisonic Guitar System
Book chapter
Wiggins, B., Werner, D. and Emma Fitzmaurice 2021. Development of an Ambisonic Guitar System. in: Innovation in Music London Taylor & Francis. pp. 21
| Authors | Wiggins, B., Werner, D. and Emma Fitzmaurice |
|---|---|
| Abstract | The term sound spatialisation indicates a group of techniques for organising and manipulating the spatial projection and movement of sound in a physical or virtual listening environment. An Ambisonic Guitar System has been devised and realised, with the project name GASP: 'Guitars with Ambisonic Spatial Performance'. GASP is an ongoing University of Derby research project, where our interest in Ambisonic algorithmic research and guitar sound production is combined with off-the-shelf hardware and bespoke software to create an Ambisonic based immersive guitar sound system. It is an innovative audio project, fusing the musical with the technical, combining individual string timbralisation with Ambisonic immersive sound. The GASP guitars have multichannel pickups (aka hex, hexaphonic or divided pickups) installed. The arpeggiation effect can be blended with the output from the other mono guitar pickups such that a sustained strummed chord can be output from the mono pickup output, whilst the MIDI sequence picks out and enhances the selected programmed rhythmic notes. |
| Keywords | Sound; Ambisonic Guitar System; Sound spatialisation |
| Page range | 21 |
| Year | 2021 |
| Book title | Innovation in Music |
| Book authors | Russ Hepworth-Sawyer, Justin Paterson and Rob Toulson |
| Publisher | Taylor & Francis |
| Focal Press | |
| Place of publication | London |
| Edition | 1st |
| ISBN | 9780429345388 |
| Digital Object Identifier (DOI) | https://doi.org/10.4324/9780429345388 |
| Web address (URL) | http://dx.doi.org/10.4324/9780429345388 |
| Output status | Published |
| Publication dates | |
| Online | 22 Jan 2021 |
| 2021 | |
| Publication process dates | |
| Deposited | 08 Jun 2023 |
| Journal | Focal Press |
Permalink -
https://repository.derby.ac.uk/item/9z264/development-of-an-ambisonic-guitar-system
62
total views0
total downloads4
views this month0
downloads this month
Export as
Related outputs
Dynamic characterisation of a linearised transfer function of non-ideal buck converters
Wilson, D., Bousbaine, A. and Wiggins, B. 2024. Dynamic characterisation of a linearised transfer function of non-ideal buck converters. 13th International Conference on Power Electronics, Machines and Drives (PEMD 2024). IEEE. https://doi.org/10.1049/icp.2024.2197Browser-Based Webcam Head-Tracked Ambisonics (WHAM)
Dring, M. and Wiggins, B. 2023. Browser-Based Webcam Head-Tracked Ambisonics (WHAM). 2023 Immersive and 3D Audio: from Architecture to Automotive (I3DA). IEEE. https://doi.org/10.1109/I3DA57090.2023.10289143Guitars with Ambisonic Spatial Performance (GASP) An immersive guitar system
Werner, D., Wiggins, B., Fitzmaurice, E. and Hart, M. 2022. Guitars with Ambisonic Spatial Performance (GASP) An immersive guitar system. 21st Century Guitar Conference .Capsule Calibration Approaches for Low-Cost Higher Order Ambisonic Microphone Arrays
Middlicott, C. and Wiggins, B. 2022. Capsule Calibration Approaches for Low-Cost Higher Order Ambisonic Microphone Arrays. 153rd Audio Engineering Society Convention. Audio Engineering Society.WHAM: To Asymmetry and Beyond!
Dring, M. and Wiggins, Bruce 2021. WHAM: To Asymmetry and Beyond! Institute of Acoustics.
The design and optimisation of surround sound decoders using heuristic methods
Wiggins, Bruce, Berry, Stuart, Lowndes, Val and Paterson-Stephens, Iain 2003. The design and optimisation of surround sound decoders using heuristic methods.Development of an ambisonic guitar system GASP: Guitars with ambisonic spatial performance
Werner, Duncan, Wiggins, Bruce and Fitzmaurice, Emma 2021. Development of an ambisonic guitar system GASP: Guitars with ambisonic spatial performance. in: CRC Press/ Routledge.WHAM: Webcam head-tracked ambisonics
Dring, M. and Wiggins, B. 2020. WHAM: Webcam head-tracked ambisonics. Institute of Acoustics. https://doi.org/10.25144/13379Calibration approaches for higher order ambisonic microphones
Middlicott, C.J., Wiggins, B.J. and Wiggins, B. 2019. Calibration approaches for higher order ambisonic microphones. Audio Engineering Society.The transparency of binaural auralisation using very high order circular harmonics
Dring, M. and Wiggins, Bruce 2019. The transparency of binaural auralisation using very high order circular harmonics. Institute of Acoustics.Development of ambisonic microphone design tools – Part 1.
Middlicott, Charlie and Wiggins, Bruce 2018. Development of ambisonic microphone design tools – Part 1. Audio Engineering Society.Development of ambisonic microphone design tools - Part 1
Middlicott, C.J., Wiggins, B.J. and Wiggins, B. 2018. Development of ambisonic microphone design tools - Part 1. Audio Engineering Society.Analysis of binaural cue matching using ambisonics to binaural decoding techniques
Wiggins, Bruce 2017. Analysis of binaural cue matching using ambisonics to binaural decoding techniques.Head tracked audio for all - the 3D audio VR revolution
Wiggins, Bruce 2016. Head tracked audio for all - the 3D audio VR revolution. Institute of Acoustics.Modelling the performance of speaker arrays in domestic listening environments.
Dring, M., Middlicott, Charlie, Wiggins, Bruce and Vilkaitis, Alex 2017. Modelling the performance of speaker arrays in domestic listening environments. Institute of Acoustics.The GASP project: Guitars with ambisonic spatial production.
Werner, Duncan 2016. The GASP project: Guitars with ambisonic spatial production.GASP v2: Guitars with Ambisonic Spatial Performance
Werner, Duncan, Wiggins, Bruce, Box, Charlie, Dallali, Dominic, Hooley, Jack and Middlicott, Charlie 2016. GASP v2: Guitars with Ambisonic Spatial Performance.Seeking best practice for education and training in the recording studio
Vandemast-Bell, Paul, Werner, Duncan and Crossley, John 2015. Seeking best practice for education and training in the recording studio. Audio Engineering Society.AmbiFreeverb 2 - Development of a 3D ambisonic reverb with spatial warping and variable scattering
Wiggins, B. and Dring, M. 2016. AmbiFreeverb 2 - Development of a 3D ambisonic reverb with spatial warping and variable scattering. Audio Engineering Society.Room acoustics and virtual reality: An implementation of auralisation and 360 degree image techniques to create virtual representations of spaces
Vilkaitis, A., Dring, M., Middlicott, C., Wiggins, B. and Hill, A.J. 2016. Room acoustics and virtual reality: An implementation of auralisation and 360 degree image techniques to create virtual representations of spaces. Institute of Acoustics.The GASP Project
Werner, Duncan 2014. The GASP Project.