Hearing Without Ears
Journal article
McKenzie, I., Lennox, Peter and Wiggins, Bruce 2014. Hearing Without Ears. International Community for Auditory Display.
| Authors | McKenzie, I., Lennox, Peter and Wiggins, Bruce |
|---|---|
| Abstract | We report on on-going work investigating the feasibility of using tissue conduction to evince auditory spatial perception. Early results indicate that it is possible to coherently control externalization, range, directionality (including elevation), movement and some sense of spaciousness without presenting acoustic signals to the outer ear. Signal control techniques so far have utilised discrete signal feeds, stereo and 1st order ambisonic hierarchies. Some deficiencies in frontal externalization have been observed. We conclude that, whilst the putative components of the head related transfer function are absent, empirical tests indicate that coherent equivalents are perceptually utilisable. Some implications for perceptual theory and technological implementations are discussed along with potential practical applications and future lines of enquiry. |
We report on on-going work investigating the feasibility of using tissue conduction to evince auditory spatial perception. Early results indicate that it is possible to coherently control externalization, range, directionality (including elevation), movement and some sense of spaciousness without presenting acoustic signals to the outer ear. | |
| Keywords | Auditory display; Mechanical transduction; Tissue conduction; Auditory spatial perception |
| Year | 2014 |
| Journal | International Community for Auditory Display |
| Publisher | Georgia Institute of Technology |
| Web address (URL) | http://hdl.handle.net/10545/344558 |
| hdl:10545/344558 | |
| Publication dates | 22 Jun 2014 |
| Publication process dates | |
| Deposited | 18 Feb 2015, 12:10 |
| Contributors | University of Derby |
| File | File Access Level Open |
| File | File Access Level Open |
Permalink -
https://repository.derby.ac.uk/item/92q79/hearing-without-ears
Download files
223
total views16
total downloads7
views this month0
downloads this month
Export as
Related outputs
Browser-Based Webcam Head-Tracked Ambisonics (WHAM)
Dring, M. and Wiggins, B. 2023. Browser-Based Webcam Head-Tracked Ambisonics (WHAM). 2023 Immersive and 3D Audio: from Architecture to Automotive (I3DA). IEEE. https://doi.org/10.1109/I3DA57090.2023.10289143Guitars with Ambisonic Spatial Performance (GASP) An immersive guitar system
Werner, D., Wiggins, B., Fitzmaurice, E. and Hart, M. 2022. Guitars with Ambisonic Spatial Performance (GASP) An immersive guitar system. 21st Century Guitar Conference .Capsule Calibration Approaches for Low-Cost Higher Order Ambisonic Microphone Arrays
Middlicott, C. and Wiggins, B. 2022. Capsule Calibration Approaches for Low-Cost Higher Order Ambisonic Microphone Arrays. 153rd Audio Engineering Society Convention. Audio Engineering Society.Development of an Ambisonic Guitar System
Wiggins, B., Werner, D. and Emma Fitzmaurice 2021. Development of an Ambisonic Guitar System. in: Innovation in Music London Taylor & Francis. pp. 21WHAM: To Asymmetry and Beyond!
Dring, M. and Wiggins, Bruce 2021. WHAM: To Asymmetry and Beyond! Institute of Acoustics.
The design and optimisation of surround sound decoders using heuristic methods
Wiggins, Bruce, Berry, Stuart, Lowndes, Val and Paterson-Stephens, Iain 2003. The design and optimisation of surround sound decoders using heuristic methods.Development of an ambisonic guitar system GASP: Guitars with ambisonic spatial performance
Werner, Duncan, Wiggins, Bruce and Fitzmaurice, Emma 2021. Development of an ambisonic guitar system GASP: Guitars with ambisonic spatial performance. in: CRC Press/ Routledge.WHAM: Webcam head-tracked ambisonics
Dring, M. and Wiggins, B. 2020. WHAM: Webcam head-tracked ambisonics. Institute of Acoustics. https://doi.org/10.25144/13379Calibration approaches for higher order ambisonic microphones
Middlicott, C.J., Wiggins, B.J. and Wiggins, B. 2019. Calibration approaches for higher order ambisonic microphones. Audio Engineering Society.The transparency of binaural auralisation using very high order circular harmonics
Dring, M. and Wiggins, Bruce 2019. The transparency of binaural auralisation using very high order circular harmonics. Institute of Acoustics.Development of ambisonic microphone design tools – Part 1.
Middlicott, Charlie and Wiggins, Bruce 2018. Development of ambisonic microphone design tools – Part 1. Audio Engineering Society.Development of ambisonic microphone design tools - Part 1
Middlicott, C.J., Wiggins, B.J. and Wiggins, B. 2018. Development of ambisonic microphone design tools - Part 1. Audio Engineering Society.The philosophy of perception and stupidity
Lennox, Peter 2015. The philosophy of perception and stupidity.A perceptual approach to the composition of meaning in artificial spatial audio
Lennox, Peter and Myatt, Tony 2007. A perceptual approach to the composition of meaning in artificial spatial audio. Audio Engineering Society.Discussing the applicability of soundfield techniques for larger audience entertainment
Dickins, Glenn and Lennox, Peter 2016. Discussing the applicability of soundfield techniques for larger audience entertainment. Audio Engineering Society. https://doi.org/10.17743/aesconf.2016.978-1-942220-12-1Destroying creativity
Lennox, Peter, Wilson, Chris and Brown, Michael 2016. Destroying creativity.Analysis of binaural cue matching using ambisonics to binaural decoding techniques
Wiggins, Bruce 2017. Analysis of binaural cue matching using ambisonics to binaural decoding techniques.Music as artificial environment: Spatial, embodied multimodal experience
Lennox, Peter 2017. Music as artificial environment: Spatial, embodied multimodal experience. in: Routledge.Head tracked audio for all - the 3D audio VR revolution
Wiggins, Bruce 2016. Head tracked audio for all - the 3D audio VR revolution. Institute of Acoustics.How to develop creative capacity for the fourth industrial revolution: Creativity and employability in higher education
Wilson, Chris, Lennox, Peter, Brown, Michael and Hughes, G. 2017. How to develop creative capacity for the fourth industrial revolution: Creativity and employability in higher education. Knowledge, Innovation & Enterprise.Feel it in my bones: Composing multimodal experience through tissue conduction
Lennox, Peter, McKenzie, I. and Brown, Michael 2017. Feel it in my bones: Composing multimodal experience through tissue conduction. Les éditions de PRISM.Sensory augmentation through tissue conduction
Lennox, Peter and McKenzie, I. 2017. Sensory augmentation through tissue conduction. InTech. https://doi.org/10.5772/intechopen.71126The body as instrument: tissue conducted multimodal audio-tactile spatial music.
Lennox, Peter, McKenzie, I. and Brown, Michael 2017. The body as instrument: tissue conducted multimodal audio-tactile spatial music.Investigating spatial music qualia through tissue conduction
Lennox, Peter and McKenzie, I. 2017. Investigating spatial music qualia through tissue conduction. Aalto University.Modelling the performance of speaker arrays in domestic listening environments.
Dring, M., Middlicott, Charlie, Wiggins, Bruce and Vilkaitis, Alex 2017. Modelling the performance of speaker arrays in domestic listening environments. Institute of Acoustics.Audio-tactile multimodal perception of tissue-conducted sound fields
Lennox, Peter and McKenzie, I. 2017. Audio-tactile multimodal perception of tissue-conducted sound fields.GASP v2: Guitars with Ambisonic Spatial Performance
Werner, Duncan, Wiggins, Bruce, Box, Charlie, Dallali, Dominic, Hooley, Jack and Middlicott, Charlie 2016. GASP v2: Guitars with Ambisonic Spatial Performance.Creative inhibition: how and why
Lennox, Peter, Brown, Michael and Wilson, Chris 2016. Creative inhibition: how and why. in: KIE Conference Publications.AmbiFreeverb 2 - Development of a 3D ambisonic reverb with spatial warping and variable scattering
Wiggins, B. and Dring, M. 2016. AmbiFreeverb 2 - Development of a 3D ambisonic reverb with spatial warping and variable scattering. Audio Engineering Society.Room acoustics and virtual reality: An implementation of auralisation and 360 degree image techniques to create virtual representations of spaces
Vilkaitis, A., Dring, M., Middlicott, C., Wiggins, B. and Hill, A.J. 2016. Room acoustics and virtual reality: An implementation of auralisation and 360 degree image techniques to create virtual representations of spaces. Institute of Acoustics.GASP: Guitars with ambisonic spatial performance
Werner, Duncan, Wiggins, Bruce, Lawson, Tom, Weightman, Tom and Callister, Joe 2015. GASP: Guitars with ambisonic spatial performance.Cognitive maps and spatial sound
Lennox, Peter 2013. Cognitive maps and spatial sound.Spatialization and computer music
Lennox, Peter 2011. Spatialization and computer music. The Oxford Handbook of Computer Music. https://doi.org/10.1093/oxfordhb/9780199792030.013.0013Higher Education Academy Fellowship
Lennox, Peter 2014. Higher Education Academy Fellowship.Causal contexts, cognitive cartoons and spatial sound
Lennox, Peter and Myatt, Tony 2006. Causal contexts, cognitive cartoons and spatial sound. Qu e e n M a r y , U n i v e r s i t y o f L o n d o n.The emotional contents of the ‘space’ in spatial music
Lennox, Peter 2009. The emotional contents of the ‘space’ in spatial music. International Conference on Music and Emotion, Durham, UK.Bonfire of the inanities
Lennox, Peter 2010. Bonfire of the inanities. Times Higher Education.Pecking Order
Lennox, Peter 2010. Pecking Order. Times Higher Education.From surround to true 3-D
Lennox, Peter, Myatt, Tony and Vaughan, John 1999. From surround to true 3-D. The Proceedings of the AES 16th International conference.Composing and capturing 3-D soundscapes
Lennox, Peter 2007. Composing and capturing 3-D soundscapes. University of Derby.Are my cognitive maps the same as yours? …or even, the same as mine?
Lennox, Peter 2013. Are my cognitive maps the same as yours? …or even, the same as mine?Plato's Ambisonic Garden
Lennox, Peter 2007. Plato's Ambisonic Garden.Composing space: the ecology of artificial auditory environments
Lennox, Peter 2012. Composing space: the ecology of artificial auditory environments.Perceptual cartoonification in multi-spatial sound systems
Lennox, Peter and Myatt, Tony 2011. Perceptual cartoonification in multi-spatial sound systems.Report on a medium-scale three dimensional artificial soundscape rendition: research and development system
Lennox, Peter 2002. Report on a medium-scale three dimensional artificial soundscape rendition: research and development system. Earshot.3D audio as an information-environment: manipulating perceptual significance for differntiation and pre-selection
Lennox, Peter, Vaughan, John and Myatt, Tony 2001. 3D audio as an information-environment: manipulating perceptual significance for differntiation and pre-selection. Laboratory of Acoustics and audio signal processing and the Telecommunications Software and Multimedia Laboratory, Helsinki University of Technology.3-D Sound: Massive and minute
Lennox, Peter 2006. 3-D Sound: Massive and minute.Composing and Capturing 3-D Soundscapes
Lennox, Peter 2007. Composing and Capturing 3-D Soundscapes.Concepts of perceptual significance for composition and reproduction of explorable sound fields
Lennox, Peter and Myatt, Tony 2007. Concepts of perceptual significance for composition and reproduction of explorable sound fields. Schulich School of Music, McGill University.Inside-outside: 3-D music through tissue conduction
McKenzie, I., Lennox, Peter and Wiggins, Bruce 2015. Inside-outside: 3-D music through tissue conduction.Tissue-conducted spatial sound fields
McKenzie, I., Lennox, Peter and Wiggins, Bruce 2014. Tissue-conducted spatial sound fields. Institute of Acoustics.Validation of a quad-rotor helicopter matlab/simulink and solidworks models
Poyi, Gwangtim Timothy, Wu, Mian Hong, Bousbaine, Amar and Wiggins, Bruce 2013. Validation of a quad-rotor helicopter matlab/simulink and solidworks models.The generation of panning laws for irregular speaker arrays using heuristic methods
Wiggins, Bruce 2007. The generation of panning laws for irregular speaker arrays using heuristic methods. Audio Engineering Society.